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Image Gallery
Charles Meryon
French, 1821–1868
The Morgue, 1854
Etching on paper. The Clark, 1968.5
Charles Rambert
French, 1820–1870
Usury (L'Usure), 1850
Lithograph. The Clark, 2022.13.1
Auguste Mestral
French, 1812–1884
Angel for Sainte-Chapelle from the atelier of Geoffroy-Dechaume, c. 1851–1853
Salt print from waxed paper negative on paper. The Clark, long-term loan from the Troob Family Foundation, TR2002.4
Édouard Baldus
French, 1813–1889
Cloister of St. Trophime, Arles, c. 1859
Albumen print from wet collodion on glass negative. The Clark, long-term loan from the Troob Family Foundation, TR2003.78.1
Charles Marville
French, 1813–1879
The Mummified Cat (Le chat momifié), c. 1862
Albumen silver print from glass negative. Metropolitan Museum of Art, Gilman Collection, gift of The Howard Gilman Foundation, 2005, 2005.100.205
Gustave Le Gray
French, 1820–1884
Rising Sandy Path, Fontainebleau (Fontainebleau, chemin sablonneux montant), c. 1856
Albumen silver print from glass negative. Metropolitan Museum of Art, Gilman Collection, gift of The Howard Gilman Foundation, 2005, 2005.100.47
Adolphe Martial Potémont, called Martial
French, 1827–1883
The Beeches, c. 1874
Etching. Yale University Art Gallery, Walter R Callender, BA 1894, Memorial Collection, gift of Ivy Lee Callender, 1962.45.372
Alphonse Legros
French, 1837–1911
Shadow, 1861
Etching. Yale University Art Gallery, gift of Alan Fortunoff, 1985.71.59
Gustave Doré
French, 1832-1883
Rue de la Vieille Lanterne (The Suicide of Gérard de Nerval), 1855
Lithograph on chine collé. National Gallery of Art, Washington, D.C., gift of the Prouté Family in Honor of Andrew Robison, 2016.134.3
François Chifflart
French, 1825–1901
Quarry near Montmartre, 1865
Etching with drypoint on laid paper. National Gallery of Art, Washington, D.C., Ailsa Mellon Bruce Fund, 2002.136.14
Jean Charles Cazin
French, 1840-1901
The Quarries at Gentilly, by Night, 1862
Charcoal and white chalk on blue paper. Frits Lugt Collection, Fondation Custodia, Paris
Francisco Goya
Spanish, 1746–1828
Who would have thought it! (Quien lo creyera!), plate 62 from Los Caprichos 1799
Etching, burnished aquatint, burin. Museum of Fine Arts, Boston, bequest of Eleanor A. Sayre, 2002.508
