Checklist

Comte Olympe Aguado (French, 1827–1894)
Tree in the Bois de Boulogne, 1856
Waxed paper negative
12 7/8 x 11 1/4 in. (32.7 x 28.6 cm)
Clark Art Institute
1999.4

Camille d’Arnaud (French, active c. 1851–63)
Auguste Adolphe Bertsch (French, died 1871)
Interior View of the Palais de l’Industrie Under Construction for the 1855 Exposition Universelle, 1854
Salt print from paper negative
7 5/16 x 6 1/2 in. (18.5 x 16.5 cm), image;
11 5/8 x 9 13/16 in. (29.5 x 25 cm), sheet
Clark Art Institute
2001.6.1

Édouard Baldus (French, 1813–1889)
Statue of Pericles with Standing Man, Tuileries Garden, c. 1856
Salted paper print from wet collodion on glass negative
9 3/4 x 5 in. (24.7 x 12.7)
Clark Art Institute, long-term loan from the Troob Family Foundation
TR2003.35.5

Édouard Baldus (French, 1813–1889)
Tour Saint Jacques, c. 1858
Albumen silver print from glass negative
17 5/16 × 13 in. (44 × 33 cm)
Clark Art Institute, long-term loan from the Troob Family Foundation
TR2007.53.7

Édouard Baldus (French, 1813–1889)
Cloister of Saint Trophîme, Arles, c. 1859
Albumen print from wet collodion on glass negative
131/16 × 167/8 in. (33.2 × 42.9 cm)
Clark Art Institute, long-term loan from the Troob Family Foundation
TR2003.78.1

Émile Bayard (French, 1837–1891)
This plain would be nothing but an immense ossuary and What gigantic oxen
Wood engravings; illustrations to Jules Verne’s Around the Moon (Autour de la Lune), Paris: Hetzel, 1875
10 15/16 × 7 1/2 × 1 1/4 in. (27 .7 × 19 × 3.2 cm), book
Clark Library, Rare Book Room
N27.V531.1d

François Bonvin (French, 1817–1887)
Frontispiece, Etching Instruments (Frontispice, Instruments de l’eau-forte), 1861
Etching and drypoint on laid paper
8 7/8 × 5 13/16 in. (22.5 × 14.8 cm), plate;
17 1/2 × 12 in. (44.5 × 30.5 cm), sheet
Clark Art Institute
2024.6.1

François Bonvin (French, 1817–1887)
The Printmaker (Le Graveur), 1861
Etching and drypoint on laid paper
8 7/16 × 6 7/16 in. (21.4 × 16.4 cm), plate;
17 1/2 × 12 in. (44.5 × 30.5 cm), sheet
Clark Art Institute
2024.6.4

Rodolphe Bresdin (French, 1822–1885)
The Holy Family at Rest Beside a Stream, 1853
Lithograph on China paper laid down on heavy white wove paper
8 7/8 × 6 13/16 in. (22.5 × 17.2 cm)
Art Institute of Chicago, gift of Walter S. Brewster
1926.142

Rodolphe Bresdin (French, 1822–1885)
The Comedy of Death, 1854
Lithograph in black on ivory China paper laid down on white wove paper
8 5/8 × 5 15/16 in. (21.9 × 15 cm), image
Art Institute of Chicago, Ada Turnbull Hertle Fund
1986.854

Rodolphe Bresdin (French, 1822–1885)
The Good Samaritan, 1861
Lithograph on paper
221/4 × 171/4 in. (56.5 × 43.8 cm), image
Clark Art Institute
1967.8

Rodolphe Bresdin (French, 1822–1885)
Clearing in the Forest, 1880
Etching on cream laid paper
9 1/16 × 5 15/16 in. (23 × 15 cm), image;
9 9/16 × 6 3/4 in. (24.2 × 17.1 cm), sheet
Art Institute of Chicago, gift of Walter S. Brewster
1923.172

Rodolphe Bresdin (French, 1822–1885)
The Forest of Fontainebleau, 1880
Etching and drypoint on cream laid paper
8 × 5 7/8 in. (20.2 × 14.8 cm), image;
8 15/16 × 6 13/16 in. (22.6 × 17.3 cm), sheet
Art Institute of Chicago, gift of Walter S. Brewster
1923.176

Jean Charles Cazin (French, 1840–1901)
The Quarries at Gentilly, by Night, 1862
Charcoal and white chalk on blue paper
7 7/8 × 10 3/8 in. (20 × 26.4 cm)
Frits Lugt Collection, Fondation Custodia, Paris

François Chifflart (French, 1825–1901)
Cholera in Paris, 1865
Etching with drypoint on laid paper
8 15/16 × 12 5/16 in. (22.7 × 31.3 cm), image;
9 7/16 × 12 9/16 in. (23.9 × 31.9 cm), sheet
National Gallery of Art, Washington, DC, Ailsa Mellon Bruce Fund
2002.136.8

François Chifflart (French, 1825–1901)
Quarry near Montmartre, 1865
Etching with drypoint on laid paper
9 3/8 × 12 1/2 in. (23.8 × 31.8 cm), plate;
12 3/16 × 17 11/16 (30.9 × 44.9 cm), sheet
National Gallery of Art, Washington, DC, Ailsa Mellon Bruce Fund
2002.136.14

François Chifflart (French, 1825–1901)
The Nightmare, c. 1876
Etching
9 5/16 × 6 3/16 in. (23.7 × 15.7 cm), plate;
12 7/8 × 8 1/8 in. (32.7 × 20.7 cm), sheet
Metropolitan Museum of Art, Rogers Fund, 1969
69.670.74

François Chifflart (French, 1825–1901)
In the Roman Campagna, 1881
Etching
7 7/8 × 11 in. (20 × 28 cm), plate;
12 5/8 × 18 1/4 in. (32 × 46.4 cm), sheet
Metropolitan Museum of Art, Elisha Whittelsey Collection, Elisha Whittelsey Fund, 1968
68.673.13

Eugène Delacroix (French, 1798–1863)
Macbeth Consulting the Witches (Macbeth, act 4, scene 1), 1825
Lithograph
12 9/16 × 9 7/8 in. (31.9 × 25.1 cm), image;
19 3/4 ×13 7/8 in. (50.2 × 35.2 cm), sheet
Metropolitan Museum of Art, Rogers Fund, 1922
22.63.19

Eugène Delacroix (French, 1798–1863)
Interior of a Military Hospital, 1828 or earlier
Aquatint printed in black ink on heavy wove paper
11 7/16 × 9 5/16 in. (29 × 23.6 cm), image;
13 5/16 × 10 7/8 in. (33.8 × 27.6 cm), sheet
Metropolitan Museum of Art, Rogers Fund, 1922
22.63.13

Eugène Delacroix (French, 1798–1863)
Mephistopheles Aloft
Lithograph; illustration to Johann
Wolfgang von Goethe’s Faust
Paris: Charles Motte, 1828
16 3/16 × 10 5/8 × 1 5/16 in. (41.1 × 27 × 3.3 cm), book
Metropolitan Museum of Art, Rogers Fund, 1917
17.12

Eugène Delacroix (French, 1798–1863)
Hamlet Tries to Follow His Father’s Ghost (Hamlet, act 1, scene 4), 1835
Lithograph
10 1/8 × 8 in. (25.7 × 20.3 cm), image;
11 5/8 × 8 3/4 in. (29.6 × 22.3 cm), sheet
Metropolitan Museum of Art, Rogers Fund, 1922
22.56.6

Eugène Delacroix (French, 1798–1863)
The Ghost on the Terrace (Hamlet, act 1, scene 5), 1843
Lithograph
10 3/16 × 7 1/2 in. (25.8 × 19.1 cm), image;
11 7/16 × 8 7/16 in. (29 × 21.5 cm), sheet
Metropolitan Museum of Art, Rogers Fund, 1922
22.56.7

Gustave Doré (French, 1832–1883)
Rue de la Vieille Lanterne (The Suicide of Gérard de Nerval), 1855
Lithograph on chine collé
20 1/16 × 13 3/4 in. (51 × 35 cm), image;
23 1/4 × 16 15/16 in. (59 × 43 cm), sheet
National Gallery of Art, Washington, DC, gift of the Prouté Family in honor of Andrew Robison
2016.134.3

Francisco Goya Spanish, 1746–1828
And still they don’t go! (Y aun no se van!), plate 59 from Los Caprichos, 1799
Etching, burnished aquatint, and burin
8 5/8 × 6 in. (21.9 × 15.2 cm), plate;
11 15/16 × 7 3/4 in. (30.3 × 19.7 cm), sheet
Museum of Fine Arts, Boston, gift of Miss Katherine Eliot Bullard
14.1785

Francisco Goya Spanish, 1746–1828
Who would have thought it! (Quien lo creyera!), plate 62 from Los Caprichos, 1799
Etching, burnished aquatint, and burin
8 × 5 7/8 in. (20.3 × 15 cm), plate;
12 3/8 × 8 7/8 in. (31.5 × 22.5 cm), sheet
Museum of Fine Arts, Boston, bequest of Eleanor A. Sayre
2002.508

Francisco Goya Spanish, 1746–1828
Bon voyage (Buen Viage), plate 64 from Los Caprichos, 1799
Etching, burnished aquatint, and burin
8 5/8 × 6 in. (21.9 × 15.2 cm), plate;
11 7/8 × 7 13/16 in. (30.2 × 19.9 cm), sheet
Museum of Fine Arts, Boston, gift of Miss Katherine Eliot Bullard
14.1786

Francisco Goya Spanish, 1746–1828
There it goes (Allá vá eso), plate 66 from Los Caprichos, 1799
Etching and aquatint with burnishing
8 1/4 × 6 1/2 in. (21 × 16.5 cm), plate;
11 3/4 × 8 7/16 in. (29.8 × 21.5 cm), sheet
Museum of Fine Arts, Boston, bequest of Eleanor A. Sayre
2002.510

J. J. Grandville (French, 1803–1847)
Mysteries of the Infinite (Mystères de l’infini)
Wood engraving; illustration to Taxile Delord’s Another World (Un autre monde)
Paris: H. Fournier, 1844
10 1/4 × 7 3/4 × 1 9/16 in. (26 × 19.7 cm × 4 cm), book
Clark Library, Rare Book Room
ND553.G655.5a

Victor Hugo (French, 1802–1885)
Castle Overlooking a River, 1847
Pen, brown ink wash, crayon, and stencil (?) on paper
11 × 13 1/16 in. (27.9 × 33.2 cm)
Private collection

Victor Hugo (French, 1802–1885)
Fantastic Castle at Twilight, 1857
Pen and brush and brown and black ink, with stamp, heightened with touches of white gouache, on cream paper, partly rubbed
12 7/16 × 19 5/16 in. (31.6 × 49.1 cm)
Morgan Library & Museum, Thaw Collection
2010.115

Maxime Lalanne (French, 1827–1886)
Demolitions for the Drilling of the Boulevard St. Germain (Old Paris), 1863
Etching on wove paper
12 11/16 × 9 9/16 in. (32.3 × 24.3 cm), plate
Philadelphia Museum of Art, Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden Jr., Thomas Skelton Harrison, and the Philip H. and A. S. W. Rosenbach Foundation, 1985
1985-52-1940

Maxime Lalanne (French, 1827–1886)
St. Peter Port, Guernsey, plate 1 from Victor Hugo’s House, 1864
Etching on chine collé
5 3/4 × 4 1/4 in. (14.6 × 10.8 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.396

Maxime Lalanne (French, 1827–1886)
Hauteville House, plate 2 from Victor Hugo’s House, 1864
Etching on chine collé
5 9/16 × 4 1/4 in. (14.2 × 10.8 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.398

Maxime Lalanne (French, 1827–1886)
The Vestibule, plate 3 from Victor Hugo’s House, 1864
Etching on chine collé
5 11/16 × 4 1/4 in. (14.5 × 10.8 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.387

Maxime Lalanne (French, 1827–1886)
Fireplace in the Dining Room (Cheminée de la salle à manger), plate 4 from Victor Hugo’s House, 1864
Etching on chine collé
5 11/16 × 4 1/4 in. (14.4 × 10.8 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.388

Maxime Lalanne (French, 1827–1886)
The Red Room (Le salon rouge), plate 5 from Victor Hugo’s House, 1864
Etching on chine collé
5 5/8 × 4 5/16 in. (14.3 × 11 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.389

Maxime Lalanne (French, 1827–1886)
The Oak Gallery (La galerie de chêne), plate 6 from Victor Hugo’s House, 1864
Etching on chine collé
5 5/8 × 4 5/16 in. (14.3 × 10.9 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.390

Maxime Lalanne (French, 1827–1886)
Fireplace in the Oak Gallery (Cheminée de la galerie de chêne), plate 7 from Victor Hugo’s House, 1864
Etching on chine collé 5 11/16 × 4 5/16 in. (14.5 × 10.9 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.391

Maxime Lalanne (French, 1827–1886)
Door of the Oak Gallery (Porte de la galerie de chêne), plate 8 from Victor Hugo’s House, 1864
Etching on chine collé
5 11/16 × 4 1/4 in. (14.5 × 10.8 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.392

Maxime Lalanne (French, 1827–1886)
The Look Out, the Office of Victor Hugo (Le look out, cabinet de Victor Hugo), plate 9 from Victor Hugo’s House, 1864
Etching on chine collé
5 9/16 × 4 5/16 in. (14.2 × 10.9 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.393

Maxime Lalanne (French, 1827–1886)
The Look Out, plate 10 from Victor Hugo’s House, 1864
Etching on chine collé
5 11/16 × 4 1/4 in. (14.5 × 10.8 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.394

Maxime Lalanne (French, 1827–1886)
The Bedroom of Victor Hugo (La chambre de Victor Hugo), plate 11 from Victor Hugo’s House, 1864
Etching on chine collé
5 11/16 × 41/4 in. (14.4 × 10.8 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.395

Maxime Lalanne (French, 1827–1886)
Victor Hugo in His Garden (Victor Hugo dans son jardin), plate 12 from Victor Hugo’s House, 1864
Etching on chine collé
5 11/16 × 4 1/4 in. (14.5 × 10.8 cm), plate
Yale University Art Gallery, gift of Allen Evarts Foster, BA 1906
1965.33.397

Gustave Le Gray (French, 1820–1884)
Hollow Oak Tree, Fontainebleau, 1849–52
Albumen silver print from glass negative
12 3/8 × 14 13/16 in. (31.5 × 37.7 cm)
Metropolitan Museum of Art, bequest of Maurice B. Sendak, 2012
2013.159.38

Gustave Le Gray (French, 1820–1884)
Hôtel de Cluny, Paris, c. 1851
Salted paper print from paper negative
123/4 × 91/2 in. (32.4 × 24.2 cm)
Metropolitan Museum of Art, purchase, Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel and Rogers Fund, 1996
1996.293

Gustave Le Gray (French, 1820–1884)
Middle Portal, Church of Saint-Jacques, Aubeterre (Portail milieu d’Aubeterre), 1851
Salted paper print from paper negative
9 3/16 × 11 1/16 in. (23.3 × 28.1 cm)
Metropolitan Museum of Art, Edward Pearce Casey Fund, 1991
1991.1058

Gustave Le Gray (French, 1820–1884)
Rising Sandy Path, Fontainebleau (Fontainebleau, chemin sablonneux montant), c. 1856
Albumen silver print from glass negative
11 3/4 × 14 13/16 in. (29.9 × 37.7 cm)
Metropolitan Museum of Art, Gilman Collection, gift of the Howard Gilman Foundation, 2005
2005.100.47

Henri Le Secq (French, 1818–1882)
In the Cossacks’ Field, Montmirail: Ravine and Rope Stretched Between Two Tree Trunks (Au champ des cosaques: Ravine et corde tendue entre deux troncs d’arbres), c. 1850
Salted paper print from waxed paper negative
9 11/16 × 13 11/16 in. (24.6 × 34.8 cm)
Bibliothèque du Musée des Arts Décoratifs
LES 3/436/T2

Henri Le Secq (French, 1818–1882)
In the Cossacks’ Field, Montmirail: Earth, Roots, and Brambles (Au champ des cosaques: Forêt de Montmirail, terre, racines, et ronces), c. 1851–52
Salted paper print from waxed paper negative
9 1/4 × 12 15/16 in. (23.5 × 32.8 cm)
Bibliothèque du Musée des Arts Décoratifs
LES 3/433/T2

Henri Le Secq (French, 1818–1882)
Quarry, c. 1855
Salted paper print from waxed paper negative
20 1/16 × 14 15/16 in. (51 × 38 cm)
Bibliothèque du Musée des Arts Décoratifs
LES 5/486/T

Henri Le Secq (French, 1818–1882)
Wooden Staircase at Chartres, 1852
Salted paper print from paper negative
12 13/16 × 9 3/16 in. (32.6 × 23.4 cm)
Metropolitan Museum of Art, Gilman Collection, purchase, Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005
2005.100.35

Henri Le Secq (French, 1818–1882)
Reims Cathedral: Details of the Portal, 1852 (negative); c. 1870 (print)
Photolithograph from waxed paper negative
12 13/16 × 9 5/16 in. (32.5 × 23.7 cm)
Clark Art Institute
2003.1

Henri Le Secq (French, 1818–1882)
Fragments of Ancient Terra Cottas, c. 1855
Salt print from waxed paper negative
13 9/16 × 10 1/4 in. (34.5 × 26 cm)
Clark Art Institute, long-term loan from the Troob Family Foundation
TR2002.51.8

Alphonse Legros (French, 1837–1911)
Discipline in the Monastery, c. 1859
Etching on paper
10 9/16 × 14 7/16 in. (26.9 × 36.6 cm), image/plate;
13 3/8 × 18 1/2 in. (33.9 × 47 cm), sheet
Clark Art Institute
1980.7

Alphonse Legros (French, 1837–1911)
The Facts in the Case of Mr. Valdemar, 1861
Etching
10 11/16 × 14 7/8 in. (27.2 × 37.8 cm), plate;
11 1/2 × 15 15/16 in. (29.2 × 40.5 cm), sheet
Yale University Art Gallery, gift of Mrs. Howard M. Morse
1957.45.22

Alphonse Legros (French, 1837–1911)
The Pit and the Pendulum, No. 1, 1861
Etching
8 7/8 × 12 13/16 in. (22.6 × 32.5 cm), plate;
11 11/16 × 16 5/8 in. (29.7 × 42.2 cm), sheet
Yale University Art Gallery, gift of Alan Fortunoff
1985.71.60

Alphonse Legros (French, 1837–1911)
Shadow, 1861
Etching
14 5/8 × 10 9/16 in. (37.1 × 26.8 cm), plate; 14 13/16 × 10 7/8 in. (37.7 × 27.6 cm), sheet
Yale University Art Gallery, gift of Alan Fortunoff
1985.71.59

Alphonse Legros (French, 1837–1911)
Death and the Woodsman, 1875–80
Etching and drypoint on laid paper
13 × 9 7/16 in. (33 × 24 cm), plate;
17 1/16 × 11 5/8 in. (43.4 × 29.6 cm), sheet
Clark Art Institute
1977.50

Alphonse Legros (French, 1837–1911)
Head of a Man, Late 1870s
Etching on wove paper
12 15/16 × 8 7/16 in. (32.9 × 21.4 cm), plate;
21 3/16 × 15 1/16 in. (53.8 × 38.2 cm), sheet
Clark Art Institute
1988.224

Alphonse Legros (French, 1837–1911)
Death of the Vagabond, 1879
Etching and aquatint printed in brown on heavy cream wove paper
21 13/16 × 15 3/8 in. (55.4 × 39 cm), plate;
27 1/2 × 20 3/8 in. (69.7 × 51.6 cm), sheet
Art Institute of Chicago, gift of Mrs. Herbert F. Perkins
1941.1059

Alphonse Legros (French, 1837–1911)
Death’s Triumph: The Useless Mouths, c. 1892–1900
Etching on laid paper
8 5/16 × 16 in. (21.1 × 40.7 cm), plate;
10 9/16 × 18 in. (26.8 × 45.7 cm), sheet
Clark Art Institute
1988.198

Alphonse Legros (French, 1837–1911)
Death’s Triumph: Death Carrying Away Drunkenness and Lust, c. 1894
Etching
6 5/16 × 8 11/16 in. (16 × 22 cm), plate;
8 × 10 15/16 in. (20.3 × 27.8 cm), sheet
Yale University Art Gallery, gift of Alan Fortunoff
1985.71.31

Alphonse Legros (French, 1837–1911)
Death’s Triumph: After the Battle, 1898
Etching
8 × 14 in. (20.3 × 35.5 cm), plate;
10 9/16 × 16 1/4 in. (26.8 × 41.3 cm), sheet
Yale University Art Gallery, gift of Alan Fortunoff
1985.71.33

Eugenio Lucas Velázquez Spanish, 1817–1870
Scene with Figures, c. 1850
Ink and wash on paper
9 13/16 × 13 3/8 in. (25 × 34 cm)
Clark Art Institute
2024.10

Adolphe Martial Potémont, called Martial (French, 1828–1883)
Letter on the Elements of Etching (Lettre sur les éléments de la gravure à l’eau-forte), 1864
Etching
(A)COVER:
713/16 × 63/8 in. (19.8 × 16.2 cm), plate;
119/16 × 77/8 in. (29.3 × 20 cm), sheet
(B) PAGE 1:
115/16 × 73/4 in. (28.7 × 19.7 cm), plate;
177/8 × 12 in. (45.4 × 30.5 cm), sheet
(C) PAGE 2:
111/2 × 79/16 in. (29.2 × 19.2 cm), plate;
173/4 × 12 in. (45.1 × 30.5 cm), sheet
(D) PAGE 3:
115/16 × 73/4 in. (28.7 × 19.7 cm), plate;
18 × 12 1/16 in. (45.7 × 30.6 cm), sheet
(E) PAGE 4:
113/8 × 79/16 in. (28.9 × 19.2 cm), plate;
177/8 × 121/8 in. (45.4 × 30.8 cm), sheet
Clark Art Institute
2022.3a–e

Adolphe Martial Potémont, called Martial (French, 1827–1883)
Old Oaks at Bas Bréau, 1860–70
Etching and drypoint on cream wove chine laid down on white wove card
12 1/4 × 10 1/4 in. (31 × 26 cm), plate
Art Institute of Chicago, Elizabeth Hammond Stickney Collection
1887.455

Adolphe Martial Potémont, called Martial (French, 1827–1883)
The Beeches, c. 1874
Etching
17 5/16 × 11 in. (43.9 × 28 cm), plate
Yale University Art Gallery, Walter R. Callender, BA 1894, Memorial Collection, gift of Ivy Lee Callender
1962.45.372

Charles Marville (French, 1816–1879)
Quarry, 1853
Salted paper print (Blanquart-Evrard) from paper negative
6 5/16 × 8 1/4 in. (16 × 21 cm)
Clark Art Institute, long-term loan from the Troob Family Foundation
TR2002.48.6

Charles Marville (French, 1816–1879)
Study of Four Male Saints, Chartres, 1854
Albumen print from waxed paper negative
24 3/4 × 17 13/16 in. (62.9 × 45.2 cm)
Clark Art Institute, long-term loan from the Troob Family Foundation
TR2006.38.2

Charles Marville (French, 1816–1879)
Notre Dame, Paris, France. View from spire of roofs, statuary, and gable, c. 1860
Albumen silver print from glass negative
14 3/8 × 18 7/8 in. (36.5 × 48 cm)
Library of Congress, Prints and Photographs Division, Hunt Collection in the AIA/AAF Collection

Charles Marville (French, 1816–1879)
The Mummified Cat (Le chat momifié), c. 1862
Albumen silver print from glass negative
11 1/2 × 11 1/4 in. (29.2 × 28.6 cm)
Metropolitan Museum of Art, Gilman Collection, gift of the Howard Gilman Foundation, 2005
2005.100.205

Charles Marville (French, 1816–1879)
Rue Estienne, from the rue Boucher, 1862–65
Albumen silver print from glass negative
13 1/2 × 10 11/16 in. (34.3 × 27.1 cm)
Metropolitan Museum of Art, Gilman Collection, purchase, Mr. and Mrs. Henry R. Kravis Gift, 2005
2005.100.358

Charles Marville (French, 1816–1879)
Moulins Cathedral, Narthex, 1863
Albumen silver print
10 1/2 × 14 3/16 in. (26.7 × 36 cm)
Philadelphia Museum of Art, gift of Robert Yoskowitz and Elissa Young, 2021
2021.127.2

Charles Marville (French, 1816–1879)
Construction of the avenue de l’Opéra: The Butte des Moulins (from the rue Saint Roch), c. 1876–77
Albumen print from collodion negative
10 3/8 × 14 in. (26.5 × 35.5 cm)
Musée Carnavalet, Paris
PH938

Charles Marville (French, 1816–1879)
Boulevard Henri IV (from the rue de Sully) (fourth arrondissement), c. 1877
Albumen print from collodion negative
10 × 14 3/8 in. (25.3 × 36.4 cm)
Musée Carnavalet, Paris
PH43102

Charles Meryon (French, 1821–1868)
Study for “Le Stryge”: The Chimera and the Tour Saint Jacques, c. 1853
Graphite on paper
7 13/16 × 5 7/8 in. (19.9 × 15 cm)
Clark Art Institute
1955.1834

Charles Meryon (French, 1821–1868)
Study for “Le Stryge”: The City and the Birds, c. 1853
Graphite on paper 7 13/16 × 5 7/8 in. (19.8 × 15 cm)
Clark Art Institute
1955.1853

Charles Meryon (French, 1821–1868)
The Vampire (Le Stryge), 1853
Etching on paper
6 3/4 × 5 1/8 in. (17.1 × 13 cm), plate
Clark Art Institute
1968.4

Charles Meryon (French, 1821–1868)
A Chimera of Notre Dame, Paris, 1853
Graphite on paper
8 1/8 × 4 13/16 in. (20.7 × 12.3 cm)
Clark Art Institute
1955.1857

Charles Meryon (French, 1821–1868)
The Morgue, 1854
Etching on paper
8 15/16 × 8 1/8 in. (22.7 × 20.6 cm), plate;
11 13/16 × 15 3/8 in. (30 × 39.1 cm), sheet
Clark Art Institute
1968.5

Charles Meryon (French, 1821–1868)
Rue des Chantres, 1862
Etching
113/4 × 5 7/8 in. (29.8 × 14.9 cm), plate
Metropolitan Museum of Art, Rogers Fund, 1917
17.78.14

Auguste Mestral (French, 1812–1884)
Angel for Sainte-Chapelle from the atelier of Geoffroy-Dechaume, c. 1851–53
Salt print from waxed paper negative
13 11/16 × 8 3/16 in. (34.7 × 20.8 cm)
Clark Art Institute, long-term loan from the Troob Family Foundation
TR2002.4

Nadar (Gaspard Félix Tournachon) (French, 1820–1910)
Skull-Lined Walls in the Catacombs of Paris, 1862
Albumen print from wet collodion on glass negative
9 1/16 × 7 9/16 in. (23 × 19.2 cm)
Clark Art Institute
2001.10.1

Nadar (Gaspard Félix Tournachon) (French, 1820–1910)
Catacombs of Paris, “Hallucinations of shadow, light and collodion” Façade no. 3, 1862
Albumen print
9 1/16 × 7 1/2 in. (23 × 19 cm)
Clark Art Institute
2024.8.1

Nadar (Gaspard Félix Tournachon) (French, 1820–1910)
Sewers of Paris, “Pont au Change Room”, 1865
Albumen print
10 1/16 × 7 3/4 in. (25.5 × 19.7 cm)
Clark Art Institute
2024.8.2

Charles Rambert (French, active c. 1836–67, died before 1899)
Usury (L’Usure), 1850
Lithograph
17 7/16 × 12 1/16 in. (44.3 × 30.6 cm), image;
22 1/8 × 16 13/16 in. (56.2 × 42.7 cm), sheet
Clark Art Institute
2022.13.1

Charles Rambert (French, active c. 1836–67, died before 1899)
Money (L’Argent), 1851
Lithograph
18 1/8 × 11 7/8 in. (46 × 30.2 cm), image;
22 1/8 × 16 13/16 in. (56.2 × 42.7 cm), sheet
Clark Art Institute
2022.13.2

Charles Rambert (French, active c. 1836–67, died before 1899)
The Slanderer (Le Calomniateur), 1851
Lithograph
17 11/16 × 12 1/16 in. (44.9 × 30.6 cm),
image; 21 7/8 × 16 in. (55.6 × 40.6 cm), sheet
Clark Art Institute
2022.13.3

Charles Rambert (French, active c. 1836–67, died before 1899)
Drunkenness (L’Ivrognerie), 1851
Lithograph
17 9/16 × 11 7/8 in. (44.6 × 30.2 cm), image;
22 1/8 × 16 7/16 in. (56.2 × 41.8 cm), sheet
Clark Art Institute
2022.13.7

Charles Rambert (French, active c. 1836–67, died before 1899)
Evil (Le Mal), 1855
Lithograph
16 9/16 × 13 3/8 in. (42.1 × 34 cm), image;
22 7/16 × 17 in. (57 × 43.2 cm), sheet
Clark Art Institute
2022.13.15

Odilon Redon (French, 1840–1916)
And man appeared, questioning the earth from which he emerged and which attracts him, he made his way toward somber brightness, plate 8 from The Origins, 1883
Lithograph on chine collé
11 × 8 in. (28 × 20.3 cm), image;
13 7/8 × 1015/16 in. (35.2 × 27.8 cm), sheet
Museum of Fine Arts, Boston, Lee M. Friedman Fund
67.281

Odilon Redon (French, 1840–1916)
It is the devil, bearing beneath his two wings the seven deadly sins, plate 2 from The Temptation of Saint Anthony (First Series), 1888
Lithograph
10 × 7 7/8 in. (25.4 × 20 cm), image;
17 11/16 × 12 3/8 in. (45 × 31.5 cm), sheet
Museum of Fine Arts, Boston, bequest of William Perkins Babcock, by exchange
M21690

Odilon Redon (French, 1840–1916)
Closed Eyes, 1890
Lithograph on paper
12 3/8 × 9 1/2 in. (31.4 × 24.2 cm), image;
21 7/8 × 15 15/16 in. (55.5 × 40.5 cm), sheet
Clark Art Institute
1962.97

Odilon Redon (French, 1840–1916)
And the rider was called Death, plate 3 from The Apocalypse of Saint John, 1899
Lithograph on chine collé
12 1/4 × 8 7/8 in. (31.1 × 22.5 cm), image;
22 1/4 × 16 3/4 in. (56.5 × 42.5 cm), sheet
Museum of Fine Arts, Boston, bequest of W. G. Russell Allen
60.708

Eugène Viollet-le-Duc (French, 1814–1879)
Notre-Dame in 1482
Etching; illustration to Victor Hugo’s Notre-Dame de Paris
Paris: E. Hugues, 1877
11 1/4 × 7 13/16 × 1 in. (28.6 × 19.8 × 2.5 cm), book
Metropolitan Museum of Art, gift of Lev Tsitrin, 2008
2008.195.1