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Rodin in the united states: confronting the modern.

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Figure Sketch, c. 1898–1900
Graphite with stumping on wove paper
11 1/2 × 7 1/4 in.
Smithsonian American Art Museum, Washington, DC
Gift of the Republic of France, 1915.11.70

Fallen Caryatid, original model 1882 
Marble, probably carved by Bozzoni, 1882–83
19 11/16 × 12 × 10 1/2 in.
Museum of Fine Arts, Boston
Gift of the Estate of Samuel Isham through Julia Isham (Mrs. Henry Osborn Taylor), 1917

Bust of St. John the Baptist, original model 1880 
Bronze, cast by François Rudier, 1883
21 3/8 × 15 3/4 × 11 in.
Metropolitan Museum of Art, New York
Gift of Samuel P. Avery, 1893, 93.11

Cupid and Psyche, before 1886
Marble with original wooden base
9 × 27 1/2 × 17 3/4 in.
Iris Cantor Collection 

Assemblage of a Watchman and a Seated Bather, also known as The Confidence, assembled 1892
Bronze, perhaps cast by Adolphe Gruet, 1892 
5 11/16 × 6 1/4 × 3 9/16 in. Private collection

Fugit Amor, also known as The Sphinx, assembled before 1887
Bronze, probably cast by Griffoul and Lorge, 1892
14 3/4 × 17 11/16 x 7 11/16 in. 
Private collection

Arthur Jerome Eddy, original model 1898 
Bronze, cast by Auguste Griffoul 1898
17 3/4 × 19 1/2 × 10 3/4 in.
Art Institute of Chicago
Arthur Jerome Eddy Memorial Collection, 1931.502

Death of Alcestis, assembled c. 1899
Bronze, cast 1902
14 9/16 × 9 1/4 × 6 3/4 in.
Museum of Fine Arts, Boston
Bequest of Major Henry Lee Higginson, 21.2521

Ceres, 1902
Marble
26 × 17 1/2 × 13 3/4 in.
Museum of Fine Arts, Boston
Gift Major Henry Lee Higginson, 06.1910

Thought, original marble 1895 
Marble, carved by Camille Raynaud, 1900–1901
29 1/8 × 17 1/16 × 18 1/8 in. 
Philadelphia Museum of Art
John G. Johnson Collection, cat. 1148 

Katherine Seney Simpson (Mrs. John W. Simpson), 1903
Marble
21 13/16 × 27 3/16 × 16 5/16 in.
National Gallery of Art, Washington, DC
Gift of Mrs. John W. Simpson, 1942.5.16

Mask of Katherine Seney Simpson (Mrs. John W. Simpson), 1902
Plaster 
7 × 7 11/16 × 6 in.
National Gallery of Art, Washington, DC
Gift of Mrs. John W. Simpson, 1942.5.21

Study for St. John the Baptist, today known as The Small Walking Man, assembled c. 1899 
Bronze, cast by Alexis Rudier, 1903 
33 1/2 × 23 9/16 × 10 7/16 in.
National Gallery of Art, Washington, DC
Gift of Mrs. John W. Simpson, 1942.5.11

A Burgher of Calais (Jean d’Aire), original model 1887, reduced 1895 
Bronze, probably cast by François Rudier, 1904 
18 1/2 × 6 5/16 × 5 1/2 in.
National Gallery of Art, Washington, DC
Gift of Mrs. John W. Simpson, 1942.5.13

Nude Woman Carrying Vase on Head (Antique Vase), c. 1898–1900
Graphite with stumping and watercolor on wove paper
19 13/16 × 12 5/16 in.
National Gallery of Art, Washington, DC
Gift of Mrs. John W. Simpson, 1942.5.32

Figure Facing Forward (Serpentine?), c. 1906 
Graphite with stumping and watercolor on wove paper
12 13/16 × 9 15/16 in
National Gallery of Art, Washington, DC
Gift of Mrs. John W. Simpson, 1942.5.34

Jean Simpson, 1903
Graphite on wove paper
12 15/16 × 9 13/16 in. 
Brooklyn Museum, New York
Gift of the Iris and B. Gerald Cantor Foundation, 87.94.3

The Thinker, original model 1881–82 
Bronze, probably cast by Alexis Rudier, 1902 or 1906
20 × 21 1/2 × 20 1/2 in.
Yale University Art Gallery, New Haven, Connecticut
Bequest of Susan Vanderpoel Clark, 1967.82.4

The Hand of God, original model 1895 
Marble, carved by Louis Mathet, c. 1907
29 × 23 3/4 × 25 1/4 in.
Metropolitan Museum of Art, New York
Gift of Edward D. Adams, 1908, 08.210

Seated Nude, c. 1900–1908
Graphite with stumping, black crayon, and eraser on wove paper
12 3/16 × 7 7/8 in
Jonathan and Abby Freund, United States

The Abandoned (Psyche), c. 1902
Graphite with stumping on wove paper
7 9/16 × 11 7/8 in
Metropolitan Museum of Art, New York
Rogers Fund, 1910, 10.45.20

Nero, c. 1900–1910
Graphite with stumping, watercolor, and gouache on wove paper
12 13/16 × 9 13/16 in.
Metropolitan Museum of Art, New York
John Stewart Kennedy Fund, 1910, 10.66.5

Honoré de Balzac, 1891
Terracotta
15 x 5 x 5 in. (with base)
Metropolitan Museum of Art, New York
Rogers Fund, 1912, 12.11.1

Young Woman Kneeling, original model late 19th–early 20th century
Plaster
8 1/8 × 6 5/16 × 4 in
Metropolitan Museum of Art, New York
Gift of Auguste Rodin, 1912, 12.12.3

Study of the Left Hand and Arm of “Meditation, original model c. 1894
Plaster
4 1/8 × 9 1/8 × 6 1/8 in.
Metropolitan Museum of Art, New York
Gift of Auguste Rodin, 1912, 12.12.9

Study of a hand, original model late 19th–early 20th century
Plaster
4 3/4 × 2 × 1 1/4 in.
Metropolitan Museum of Art, New York
Gift of Auguste Rodin, 12.12.16

Study of a hand, original model late 19th–early 20th century
Plaster
6 3/8 × 2 1/2 × 3 3/4 in.
Metropolitan Museum of Art, New York
Gift of Auguste Rodin, 1912, 12.12.10

Psyche (Love over the Waters), c. 1902
Graphite and watercolor on wove paper
9 3/4 × 12 3/4 in.
Private collection, courtesy of Nicholas Sands & Company Fine Art, New York

Stretching Figure (The Angel Thrown Down to Earth or Trapeze), c. 1898–1900
Graphite and watercolor on wove paper 
13 × 9 3/4 in.
Museum of Modern Art, New York
Bequest of Mina Turner, 254.1976

Seated Woman (Psyche), c. 1902
Graphite on wove paper 
12 1/4 × 8 in.
Museum of Modern Art, New York
Bequest of Mina Turner, 251.1976 

Figure of a Woman, “The Sphinx,” original model before 1888 
Marble, carved 1909
23 1/4 × 24 7/16 × 22 15/16 in.
National Gallery of Art, Washington, DC
Gift of Eugene and Agnes E. Meyer, 1967, 1967.13.6

Horseman, c. 1886–89
Graphite, pen and ink, gouache, and traces of faded ink on wove paper, tipped onto wove paper
8 9/16 × 6 7/8 in.
Art Institute of Chicago
Alfred Stieglitz Collection, 1949.580

The Era of Museums, 1917–1954

The Prodigal Son, original model before 1887, enlarged 1893 
Bronze, cast by Alexis Rudier, 1914
64 × 28 × 34 1/2 in.
Fine Arts Museums of San Francisco, Legion of Honor
Gift of Alma de Bretteville Spreckels, 1940.137

Female Figure, Half-Length, original model c. 1910
Bronze, cast by Montagutelli, 1913 
29 1/4 × 12 1/4 × 23 5/8 in.
Fine Arts Museums of San Francisco, Legion of Honor
Gift of Alma de Bretteville Spreckels, 1942.36

The Fallen Angel, original model c. 1895–1900 
Bronze, cast by Alexis Rudier, probably 1915
20 1/8 × 21 1/2 × 32 in.
Fine Arts Museums of San Francisco, Legion of Honor
Gift of Alma de Bretteville Spreckels, 1940.139

Head of Balzac (last study), original model c. 1897 
Bronze on tall marble base, cast before 1915
16 ¾ x 7 ½ x 8 ½ in. (with base)
Fine Arts Museums of San Francisco, Legion of Honor
Gift of Alma de Bretteville Spreckels, 1941.34.5 

Heroic Head of Pierre de Wissant, One of the Burghers of Calais, original model 1887, enlarged 1908 
Bronze, cast by Alexis Rudier, 1916; patinated by Jean Limet
32 7/8 × 18 1/2 × 21 3/4 in. 
Cleveland Museum of Art
The Norweb Collection, 1920.120

Model of a Foot (Left Foot), original model late 19th–early 20th century
Bronze, cast before 1917
4 5/16 x 2 13/16 × 1 3/4 in.
Cleveland Museum of Art
Gift of Loïe Fuller, 1917.372

Hanako (type A), 1907
Gilded bronze on wood base 
6 1/2 × 5 × 5 5/8 in.
Fine Arts Museums of San Francisco, Legion of Honor
Gift of Alma de Bretteville Spreckels, 1941.34.7

Eve Eating the Apple, known as Dawn, original model c. 1887
Plaster 
10 1/2 × 6 × 10 1/4 in.
Maryhill Museum of Art, Goldendale, Washington.
Bequest of Samuel Hill, 1938.01.0164

The Hand of God, original model before 1895 
Plaster, c. 1900
13 1/2 × 11 × 10 1/2 in.
Maryhill Museum of Art, Goldendale, Washington.
Bequest of Samuel Hill, 1938.01.186

The Hand of God, original model before 1895 
Bronze, cast by Alexis Rudier, before 1908
38 × 24 1/2 × 17 in.
Carnegie Museum of Art, Pittsburgh
Purchase, 20.14.5

Figure in Pose of Michelangelo’s “Apollo 
c. 1876
Charcoal, watercolor, and gouache on wove paper
13 3/4 × 9 1/4 in. 
Maryhill Museum of Art, Goldendale, Washington
Bequest of Samuel Hill, 1938.01.0094

Psyche, c. 1902
Graphite and watercolor on wove paper
10 3/4 × 12 1/2 in.
Maryhill Museum of Art, Goldendale, Washington
Bequest of Samuel Hill, 1938.1.107

Cambodian Dancer in Yellow, at the End of a Rainbow, c. 1906–7
Graphite and watercolor on wove paper
12 3/4 × 9 7/8 in.
Maryhill Museum of Art, Goldendale, Washington
Bequest of Samuel Hill, 1938.01.0099

Female Torso, original model c. 1889–90
Plaster on plaster base
5 1/4 × 3 15/16 × 3 15/16 in.
Fine Arts Museums of San Francisco, Legion of Honor
Gift of Adolph B. Spreckels Jr., 1933.12.10

Female Torso with a Slavic Woman’s Head, original models c. 1905 
Plaster on marble base
8 × 2 3/4 × 4 in.
Fine Arts Museums of San Francisco, Legion of Honor
Gift of Adolph B. Spreckels Jr., 1933.12.14

Two Hands, assembled c. 1900
Plaster on marble base
4 1/8 × 3 × 2 1/4 in.
Fine Arts Museums of San Francisco, Legion of Honor
Gift of Adolph B. Spreckels Jr., 1933.12.12

Camille Claudel (French, 1864–1943)
Bust of Auguste Rodin, original model 1892 
Bronze with marble base, probably cast by François Rudier, c. 1900
16 1/4 × 9 3/4 × 11 1/4 in.
Fine Arts Museums of San Francisco, Legion of Honor
Gift of Alma de Bretteville Spreckels, 1968.26.7    

Man with Serpent, 1885
Plaster
27 1/2 × 22 × 11 7/8 in.
Clark Art Institute, Williamstown, Massachusetts
Acquired by Sterling Clark, 1923, 1955.1023

Mask of the Man with the Broken Nose, original model 1864–65
Bronze, probably cast by Charles-Adolphe Gruet, 1881
12 1/4 × 7 3/4 × 6 1/2 in.
Museum of Art, Rhode Island School of Design, Providence
Gift of Mrs. Gustav Radeke 1921, 21.341

The Mermaid, c. 1898–1900
Graphite and watercolor on wove paper mounted to cardboard
13 1/8 × 10 1/2 in.
Museum of Art, Rhode Island School of Design, Providence
Gift of Mrs. Gustav Radeke, 21.476.

The Kiss, original model c. 1881–82 
Bronze, cast by Griffoul and Lorge, 1888
34 × 19 1/2 × 20 3/4 in.
Baltimore Museum of Art
Jacob Epstein Collection, 1951.128 

The Thinker, original model 1881–82, enlarged 1903
Bronze, cast by Alexis Rudier, 1928
79 × 37 3/4 × 59 in.
Baltimore Museum of Art
Jacob Epstein Collection, 1930.25.1

The Benedictions, original model before 1896, version on a round base probably enlarged 1898
Bronze, cast by Alexis Rudier, by 1926 
31 1/2 × 23 1/4 × 25 in.
Rodin Museum, Philadelphia Museum of Art
Bequest of Jules E. Mastbaum, 1929, F1929-7-11 

Shame (Absolution), original model c. 1895–1900 
Bronze, cast by Alexis Rudier, 1925–26
25 3/4 × 15 × 12 1/2 in.
Rodin Museum, Philadelphia Museum of Art
Bequest of Jules E. Mastbaum, 1929, F1929-7–16

Medea, original model c. 1880
Plaster
23 1/2 × 12 1/2 × 9 1/2 in.
Rodin Museum, Philadelphia Museum of Art
Bequest of Jules E. Mastbaum, 1929, F1929-7–100 

Ecclesiastes, original model before 1899
Plaster
10 × 11 × 10 in.
Rodin Museum, Philadelphia Museum of Art
Bequest of Jules E. Mastbaum, 1929, F1929-7–117 

Mask of Rose Beuret, Later Mme Rodin, original model c. 1882 
Ground glass refired in a mold (pâte de verre), executed by Jean Cros, c. 1911
9 1/2 × 6 1/4 × 7 1/8 in.
Rodin Museum, Philadelphia Museum of Art
Bequest of Jules E. Mastbaum, 1929, F1929-7-43 

Seated Woman, c. 1900
Graphite and watercolor on wove paper
9 11/16 × 12 7/8 in.
Rodin Museum, Philadelphia Museum of Art
Bequest of Jules E. Mastbaum, 1929, 1929-7-197

Woman and Two Children, c. 1883
Graphite, pen, ink, and gouache on wove paper
7 1/16 × 5 1/4 in.
Rodin Museum, Philadelphia Museum of Art
Bequest of Jules E. Mastbaum, F1929-7-168

Dance (Drawing Reconstructed from Memory by Rodin, after a Destroyed Vase), c. 1887–1907
Pen and ink on wove paper 
7 1/8 × 9 in.
Mr. Hugh Justin Seto and Mrs. Amy T. Seto

Group of Figures (Time), c. 1885–90
Graphite, pen and ink, gouache on tracing paper mounted to a gray sheet
5 3/8 × 5 3/8 in.
Private collection, courtesy Nicholas Sands & Company Fine Art, New York

Cambodian Dancer with Swirling Drapery, c. 1906–7
Graphite and watercolor on wove paper
12 3/16 × 8 in.
Rodin Museum, Philadelphia Museum of Art
Bequest of Jules E. Mastbaum, 1929, F1929-7-196

Reclining Nude Woman (Alda Moreno), c. 1910
Graphite with stumping on laid paper 
9 7/16 × 15 1/16 in.
Rodin Museum, Philadelphia Museum of Art
Bequest of Jules E. Mastbaum, 1929, F1929-7-176 

The Revival, 1954–Today

Iris, Messenger of the Gods, original model 1895 
Bronze, cast by Alexis Rudier, probably c. 1950
32 1/2 × 34 × 14 3/4 in.
Hirshhorn Museum and Sculpture Garden Collection, Smithsonian Institution, Washington, DC
Gift of Joseph H. Hirshhorn, 1966, 66.4330

Monument to Balzac, original model 1897, enlarged 1898 
Bronze, cast by Georges Rudier, 1954
111 × 48 1/4 × 41 in.
Museum of Modern Art, New York
Presented in memory of Curt Valentin by his friends, 1955, 28.1955

The Walking Man, original model 1907
Bronze, cast by Georges Rudier, 1965 
88 3/16 × 29 1/2 × 53 1/8 in. 
Smith College Museum of Art, Northampton, Massachusetts
Purchased 1965, SC 1965.30

The Age of Bronze, original model 1876 
Bronze, cast by Alexis Rudier, c. 1910–20
71 × 20 × 20 in.
Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Palo Alto, California
Gift of the B. Gerald Cantor Collection, 1983.300

Female Nude Cutout Figure, c. 1900–06
Graphite and watercolor on wove paper mounted to a later support
Sheet: 13 × 8 7/8 in. 
Graphic Arts Collection, Princeton University Library, Princeton, New Jersey
Gift of René Chéury’s students, 2006.01560 HSV / 7 I / GA

Dance Movement H, c. 1911 
Bronze, cast by Georges Rudier, 1965
11 1/4 × 3 × 4 1/4 in.
Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Palo Alto, California
Gift of the Iris & B. Gerald Cantor Foundation, 1975.84

Ugolino and His Sons, original model c. 1881–82 
Bronze, cast by Eugène Gonon, 1883
15 7/8 × 16 3/16 × 25 3/8 in.
Private collection, London, on loan to the Clark Art Institute

Ugolino and His Sons: Fifth Day 
1876–80
Graphite and pen and ink on graph paper
6 1/8 × 3 3/4 in.
Metropolitan Museum of Art, New York
Anonymous Gift, 2012, 2012.222.2 a, b

The Thinker (The Prophet or Ugolino), c. 1880
Graphite, ink and gouache on lined paper
7 1/2 × 4 5/16 in.
Rappaport Rodin Collection

Charybdis, c. 1883
Graphite, ink, watercolor, and gouache on wove paper cut out, torn, and glued on support
8 1/4 × 3 3/8 in.
Private collection, courtesy Nicholas Sands & Company Fine Art, New York

Salome, c. 1895
Graphite, pen and ink, watercolor, and gouache on laid paper
6 7/8 × 4 7/16 in. 
Private collection

Cambodian Dancer, 1906
Watercolor over graphite on paper 
11 7/16 × 7 11/16 in.
Museum of Fine Arts, Boston
Bequest of John T. Spaulding, 48.851

Sphinx, c. 1898–1900
Graphite with stumping and watercolor on wove paper
19 3/16 × 12 3/4 in.
J. Paul Getty Museum, Los Angeles, 2008.60. 

Emerging from the Clouds (Nijinsky), 1912
Graphite with stumping and watercolor on laid paper 
18 1/2 × 12 1/4 in. 
Rappaport Rodin Collection

Christ and Mary Magdalene, original model c. 1894 
Marble, carved by Victor Peter, 1908
43 × 33 1/2 × 31 in.
J. Paul Getty Museum, Los Angeles 

The Genius of Sculpture, c. 1880
Pen and ink on wove paper
10 3/8 × 7 7/16 in.
Cleveland Museum of Art
Bequest of Muriel Butkin, 2008.404