
Louis Léopold Boilly
French, 1761–1845
The Artist's Wife in His Studio
c. 1795–99
A young woman, traditionally identified as Boilly’s wife, examines a large portfolio amid the clutter of the artist’s studio, which includes an unpainted canvas, a plaster cast of a hand, and sculptures by other artists. She looks up from her task as if either she or we have intruded. The violin hanging from the back of the chair hints at the relationship between artist and sitter—musical instruments sometimes appear in paintings as symbols of romantic love.
Medium | oil on canvas |
Dimensions | 16 x 12 15/16 in. (40.6 x 32.9 cm) Frame: 20 3/4 x 17 5/8 x 1 3/4 in. (52.7 x 44.8 x 4.4 cm) |
Object Number | 1955.646 |
Acquisition | Acquired by Sterling and Francine Clark before 1955 |
Status | On View |
Image Caption
Louis Léopold Boilly, The Artist's Wife in His Studio, c. 1795–99, oil on canvas. Clark Art Institute, 1955.646
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EUROPEAN PAINTINGS CATALOGUE ENTRY
Provenance
Sale, Drouot, Paris, 25 Feb. 1869, no. 5, as Son épouse; possibly sale, Drouot, Paris, 12 May 1883, no. 4, as Portrait de Mme Boilly; Louise Suzanne Oger de Bréart, Paris (d. 1886; her sale, Paris, 17–22 May 1886, no. 3, as La jeune artiste); sale, Galerie Georges Petit, Paris, 2 May 1894, no. 1, as La jeune artiste; Félix Doistau, Paris (until 1909, his sale, Galerie Georges Petit, Paris, 9 June 1909, no. 5, as La jeune artiste); Alfred de Rothschild, London (d. 1918, bequeathed to Wombwell); Almina Victoria Marie Alexandra Wombwell, 5th Countess of Carnarvon, his daughter (1918–25, her sale, Christie’s, London, 22 May 1925, no. 54, ill., as The Artist’s Wife in His Studio, sold to Knoedler); [Knoedler, New York, sold to Clark, 31 Dec. 1925]; Robert Sterling Clark, 1925–55; Sterling and Francine Clark Art Institute, 1955.