Francisco de Goya y Lucientes
Spanish, 1746–1828
Asensio Juliá
1814
Goya draws our attention to the sitter’s partly illuminated face with the dazzling white collar of his shirt, which peeks out from under a blue vest. The dark silhouette of his top hat is enlivened by a touch of red paint above the brim. He looks up from his work with a thoughtful expression, the charcoal holder in his hand hinting at his profession—he has been identified as the artist Asensio Juliá, Goya's friend and colleague.
| Medium | oil on canvas |
| Dimensions | 28 3/4 x 22 3/4 in. (73 x 57.8 cm) Frame: 36 1/2 x 30 1/8 x 2 in. (92.7 x 76.5 x 5.1 cm) |
| Object Number | 1955.83 |
| Acquisition | Acquired by Sterling and Francine Clark before 1955 |
| Status | On View |
Image Caption
Francisco de Goya y Lucientes, Asensio Juliá, 1814, oil on canvas. Clark Art Institute, 1955.83
Select Bibliography
Sterling and Francine Clark Art Institute. Exhibit Four: First Two Rooms. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1955.
Sterling and Francine Clark Art Institute. Exhibit Four & Exhibit Seven. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1958.
Meadows Museum, Southern Methodist University, Dallas. Goya and the Art of His Time. Dec. 7, 1982-Feb. 6, 1983. (Cat. by Edward J. Sullivan).
Museo del Prado, Madrid.. Goya: Truth and Fantasy: The Small Paintings. Nov. 19, 1993-Feb. 15, 1994; Royal Academy of Arts, London, March 18-June 12, 1994; Art Institute of Chicago, July 16-Oct. 16, 1994. (Cat. by Juliet Wilson-Boreau and Manuela B. Mena Marques).
Réunion des Musées Nationaux.. Goya: Un Regard Libre. Lille (France): Palais de Beaux-Arts. Dec. 11, 1998-March 14, 1999. Philadelphia Museum of Art, April 17-July 11, 1999. Cat. by Arnauld Brejon de Lavergnee.
Charles Emile Yriarte.. Goya, Sa Vie, Son Oeuvre.. Paris: Henri Plon.. 1867..
Théophile Gautier.. Journal officiel.. Feb. 14, 1870..
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Valerian von Loga.. Francisco de Goya.. Berlin.. 1903..
Calvert, Albert F. Goya. London: John Lane Co.. 1908.
Hugh Stokes.. Francisco Goya.. London: Herbert Jenkins.. 1914..
Mayer, August L. Goya. London: J. M. Dent. 1924.
Xavier Desparmet Fitzgerald.. L'oeuvre peint de Goya.. Paris: F. de Nobele.. 1928-50..
Comstock, Helen. "The Connoisseur in America: The Clark Collection Opens" in Connoisseur CXXXVI, no. 550 (December 1955): 305–10.
Frankfurter, Alfred. "Dark Horse in Williamstown." Art News 54, no. 4 (Summer 1955): 28–31.
C., R. F. "Williamstown: Nuove opere alla Galleria Clark." Emporium 129, no. 770 (February 1959): 76-81.
E. Werner.. . Pantheon.. 1961.
Elizabeth Du Gue Trapier.. Goya and His Sitters: A Study of His Style as a Portraitist.. New York: The Hispanic Society of America/Spiral Press.. 1964..
Polley, Robert L., ed. Great Art Treasures in America's Smaller Museums. Text by Harold E. Haydon. New York: Putnam's, 1967.
D. B. Wyndham Lewis.. The World of Goya.. London: George Rainbird.. 1968..
Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1970.
Gudiol, Josép. Goya, 1746-1848: Biography, Analytical Study and Catalogue of his Paintings. 4 vols. New York: Tudor Publishing Co., 1971.
Sterling and Francine Clark Art Institute. List of Paintings in the Sterling & Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1972.
Rita de Angelis.. L'opera completa di Francisco Goya. Classici dell'Arte no. 74.. Milan: Rizzoli.. 1974..
Ellen Winner.. Invented Worlds: The Psychology of the Arts.. Cambridge: Harvard University Press.. 1982..
José Camon Aznar.. Fran. E. Goya. Vol. 3, 1797-1812.. Zaragoza: Instituto Camon Aznar.. 1984..
Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1984.
. Goya: Nuevas Visiones.. Madrid: Amigos del Museo del Prado.. 1987..
Ilsa Hempel Lipschutz.. "Images Illusoires, Réeles, Figurées? Théophile Gautier et sa 'chimère rétrospéctive' reflétée dans l'oeuvre peint de Goya.". no. 11.. Bulletin de la Société Théophile Gautier.. 1989.:pp. 43-83..
Kern, Steven, ed. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1992.
Isadora Rose-de Viejo.. Goya/Rembrandt: La mémoire de l'oeil. (exh.cat.). Geneva: Musée d'art et dihistoire, Cabinet des Estampes.. 1993..
Kern, Steven, et al. The Clark: Selections from the Sterling and Francine Clark Art Institute. New York: Hudson Hills Press, 1996.
Suzanne L. Stratton, editor. Painting in Spain in the Age of Enlightenment: Goya and His Contemporaries (cat. of exh.: Indianapolis Museum of Art, Nov. 23, 1996-Jan. 19, 1997; The Spanish Institute, New York, Spring 1997).
Pierre Gassier and Juliet Wilson. Goya: His Life and Work, with Catalogue Raisonné. Eng., French, German editions.. London: Thames & Hudson.. 1971.
Lees, Sarah, ed. Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute; New Haven and London: distributed by Yale University Press, 2012.
EUROPEAN PAINTINGS CATALOGUE ENTRY
Provenance
Federico de Madrazo, Madrid (after 1856–69, sold to Durand-Ruel, Paris, Jan. 1869); [Durand-Ruel, Paris, from 1869]; Edwards, Paris (until 1870, his sale Drouot, Paris, 7 Mar. 1870, no. 29, ill., as Julio [élève de Goya], sold to Durand-Ruel); [Durand-Ruel, Paris, from 1870]; Bamberger, Paris (until 1923, his sale, Drouot, Paris, 17 Mar. 1923, no. 48, ill., as Portrait du peintre Asensio Julia "El Pescadoret," sold to Trotti); [Trotti, Paris, from 1923]; [Knoedler, New York, sold to Clark, 18 Jan. 1924]; Robert Sterling Clark (1924–55); Sterling and Francine Clark Art Institute, 1955.
