Invoice from M. Knoedler & Co., Inc., New York, to Robert Sterling Clark for the Purchase of one painting. Dated 9 June 1949.
Zoom
Download
JPEG images are suitable for most presentation uses. TIFF images are suitable for publication purposes. When using images, please reproduce caption and credit information. For details or further information, click here.
A high resolution image is not available for this work.
Download
JPEG images are suitable for most presentation uses. When using images, please reproduce caption and credit information. For details or further information, click here.
New browser window will open. Right click to save file.
Audio
Claude Monet, The Geese
Claude Monet
French, 1840–1926
The Geese
1874
The Geese was painted a few months after the first Impressionist exhibition and the painting's bright tone and thickly applied touches of color are characteristic of Monet’s experimental technique during this period. More unusual is the painting’s vertical format and dense composition. Tall trees shade a path that leads our eye from the rippling water in the foreground to the diminutive figures of a woman and child standing in front of a sunlit, whitewashed building.
Medium
oil on canvas
Dimensions
29 x 23 5/8 in. (73.7 x 60 cm)
Frame: 36 13/16 x 31 5/8 x 2 3/8 in. (93.5 x 80.3 x 6 cm)
Object Number
1955.529
Acquisition
Acquired by Sterling and Francine Clark before 1955
Status
On View
Image Caption
Claude Monet, The Geese, 1874, oil on canvas. Clark Art Institute, 1955.529
Select Bibliography
Fondation Beyeler. Claude Monet...up to digital Impressionism. Mar. 28-Aug. 18, 2002. Kunsthalle der Hypo-Kulturstiftung, Munich, Nov. 22, 2001-Mar. 10, 2002. Beyeler only.
Sterling and Francine Clark Art Institute. Exhibit Five: French Paintings of the 19th Century. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1956.
. Claude Monet. Oct. 27-Nov. 28, 1976. Acquavella Galleries, New York. 1976.
Brooks, John H. Monet in Massachusetts. Exhibition brochure. Williamstown, MA: Sterling and Francine Clark Art Institute, 1985.
Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1970.
Sterling and Francine Clark Art Institute. List of Paintings in the Sterling & Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1972.
Chuji Ikegami.. Monet. Rising Sun Series, Art of the World, vol. 8.. Tokyo: Zauho Press.. 1978..
Paul Hayes Tucker.. Monet at Argenteuil.. New Haven: Yale University Press.. 1982..
Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1984.
Kern, Steven, ed. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1992.
Kern, Steven, et al. The Clark: Selections from the Sterling and Francine Clark Art Institute. New York: Hudson Hills Press, 1996.
Wildenstein, Daniel. Claude Monet: Biographie et catalogue raisonné. 5 volumes. Lausanne & Paris: La Bibliothèque des Arts, 1974-1991.
Daniel Wildenstein. Monet: Catalogue Raisonné, 4 vols. (in English, French, German).. Wildenstein Institute and Paris: Taschen France and Cologne: Benedikt Taschen Verlag.. 1996.
Lees, Sarah, ed. Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute; New Haven and London: distributed by Yale University Press, 2012.
Ganz, James A. and Richard R. Brettell. Great French Paintings from the Clark: Barbizon through Impressionism. Exhibition catalogue. New York: Skira Rizzoli Publications; Williamstown, MA: Sterling and Francine Clark Art Institute, 2011.
Melikian, Souren. "A Unique and Unforgettable Collection." International Herald Tribune, 16–17 September 2000.
The artist, sold to Faure, Nov. 1874, as Les Oies; Jean-Baptiste Faure, Paris (from 1874); Auguste Pellerin, Paris (in 1899); [Bernheim-Jeune, Paris, in 1899]; [Foinard, Paris, in 1899]; [Durand-Ruel, Paris, sold to Behrend, 1912]; Mme. Behrend, Paris (from 1912); Allston Burr, Boston (d. 1949); [Knoedler, New York, sold to Clark, 9 June 1949, as Les Canards]; Robert Sterling Clark (1949–55); Sterling and Francine Clark Art Institute, 1955.
