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Caesar Refusing the Head of Pompey

Gerard de Lairesse

Mercury Orders Calypso to Let Ulysses Depart

Gerard de Lairesse

Noon (Le midi)

Emmanuel Jean Nepomucene de Ghendt

Morning (Le matin)

Emmanuel Jean Nepomucene de Ghendt

Elles: Woman Washing Herself—La Toilette

Henri de Toulouse-Lautrec

Plate 31: Slightly Stronger Electrical Excitation of the Zygomaticus Major: Fake Laughter, from Chap. 6: "Muscles of Joy and Benevolence," in Icono Photographique: Mécanisme de la Physionomie Humaine (Photographic Icon: Mechanism of Human Physiognomy)

Guillaume-Amant Duchenne de Boulogne

Holy Mary Mother of God with a Lily (Sainte Marie Mère de Dieu avec un lys)

Émile Bernard

Valley of the Avre (Vallée de l'Avre)

Maurice de Vlaminck

Cours Racecourse, Bois de Boulogne (Hippodrome des Cours, Bois de Boulogne)

Eugène Charles François Guérard

View from the Crowd of a Parade in the Place de la Concorde

Maurice Silvester

A railway buffet (Un buffet de chemin de fer)

J. Bettannier

Night (La nuit)

Emmanuel Jean Nepomucene de Ghendt

View of the Arc de Triomphe du Carrousel facing the Louvre

Maurice Silvester

View of the Arc de Triomphe du Carrousel from the Louvre

Maurice Silvester

Night (La nuit)

Emmanuel Jean Nepomucene de Ghendt

Alphonse-Marie-Louis de Prat de Lamartine Portait Medallion

Pierre-Jean David d'Angers

View of the Place de la Concorde

Maurice Silvester

There was no remedy (No hubo remedio)

Francisco de Goya y Lucientes

Opera Ball (Bal de l'Opéra)

Eugène Charles François Guérard

The Road

Maurice de Vlaminck

Boaters of the Seine, Near Neuilly (Les canotiers de la Seine, parages de Neuilly)

J. Bettannier

View from the Crowd of a Parade in the Place de la Concorde

Maurice Silvester

View of the Arc de Triomphe du Carrousel facing the Louvre

Maurice Silvester

Opera Ball (Bal de l'Opéra)

Eugène Charles François Guérard

View from the Crowd of a Parade in the Place de la Concorde

Maurice Silvester

View from the Crowd of a Parade in the Place de la Concorde

Maurice Silvester

Those Specks of Dust (Aquellos Polbos)

Francisco de Goya y Lucientes

Almanach 1866: April

Charles Amedée de Boret

Reclining Nude Youth, Study for Orpheus

Pierre Puvis De Chavannes

Nor do these

Francisco de Goya y Lucientes

Neither do these.

Francisco de Goya y Lucientes

Charity.

Francisco de Goya y Lucientes

Of what use is a cup?

Francisco de Goya y Lucientes

Troupe of charlatans.

Francisco de Goya y Lucientes

He defends himself well.

Francisco de Goya y Lucientes

Truth has died.

Francisco de Goya y Lucientes

And they are wild beasts.

Francisco de Goya y Lucientes

It always happens.

Francisco de Goya y Lucientes

The same elsewhere

Francisco de Goya y Lucientes

Barbarians!

Francisco de Goya y Lucientes

Everything is topsy-turvy.

Francisco de Goya y Lucientes

The worst is to beg

Francisco de Goya y Lucientes

It's no use crying out.

Francisco de Goya y Lucientes

Comme on fait son droit à Paris (Cours Préparatoire rue de la Harpe)

Derancourt

Pleasure train (Train de plaisir)

J. Bettannier

Study of Sculpture, Arc de Triomphe, Paris: La Paix (1833-6), by Etex

Édouard Baldus

Look the rope is breaking.

Francisco de Goya y Lucientes

There is no way of telling why.

Francisco de Goya y Lucientes

Thanks to the blue[purple] vetch.

Francisco de Goya y Lucientes

There was nothing to be done and he died.

Francisco de Goya y Lucientes

Nothing. The event will tell.

Francisco de Goya y Lucientes

They do not know the way.

Francisco de Goya y Lucientes

The women give courage.

Francisco de Goya y Lucientes

Bitter presence.

Francisco de Goya y Lucientes

All this and more

Francisco de Goya y Lucientes

They can still be of use.

Francisco de Goya y Lucientes

What more can be done?

Francisco de Goya y Lucientes

A woman's charity.

Francisco de Goya y Lucientes

The consequences.

Francisco de Goya y Lucientes

This is the worst of all!

Francisco de Goya y Lucientes

View of the Place de la Concorde

Maurice Silvester

View from the Crowd of a Parade in the Place de la Concorde

Maurice Silvester

Study The Triumph of 1810 by Jean-Pierre Cortot, Arc de Triomphe

Édouard Baldus

Study of Sculpture, Arc de Triomphe, Paris: La Resistance (1833-6) by Etex.

Édouard Baldus

It serves you right.

Francisco de Goya y Lucientes

He deserved it.

Francisco de Goya y Lucientes

He makes some use of it.

Francisco de Goya y Lucientes

This is how it happened.

Francisco de Goya y Lucientes

To the cemetery.

Francisco de Goya y Lucientes

And there is no remedy.

Francisco de Goya y Lucientes

Why?

Francisco de Goya y Lucientes

This is too much!

Francisco de Goya y Lucientes

Harvest of the dead.

Francisco de Goya y Lucientes

What is the hubbub?

Francisco de Goya y Lucientes

Ravages of war

Francisco de Goya y Lucientes

What a great deed. With corpses.

Francisco de Goya y Lucientes

Cruel tale of woe!

Francisco de Goya y Lucientes

The healthy and the ill.

Francisco de Goya y Lucientes

Strange devotion!

Francisco de Goya y Lucientes

Against the common good.

Francisco de Goya y Lucientes

Will she rise again?

Francisco de Goya y Lucientes

What courage!

Francisco de Goya y Lucientes

It's a hard step!

Francisco de Goya y Lucientes

It will be the same

Francisco de Goya y Lucientes

They escape through the flames.

Francisco de Goya y Lucientes

Feline pantomime.

Francisco de Goya y Lucientes

They do not want to.

Francisco de Goya y Lucientes

This is what you were born for.

Francisco de Goya y Lucientes

This, too...

Francisco de Goya y Lucientes

I saw it.

Francisco de Goya y Lucientes

There is no one to help them.

Francisco de Goya y Lucientes

But they are of another breed.

Francisco de Goya y Lucientes

The beds of death.

Francisco de Goya y Lucientes

The carnivorous vulture.

Francisco de Goya y Lucientes

They do not agree.

Francisco de Goya y Lucientes

Rightly or wrongly.

Francisco de Goya y Lucientes

Likewise.

Francisco de Goya y Lucientes

Bury them and keep quiet.

Francisco de Goya y Lucientes

There is no longer time.

Francisco de Goya y Lucientes

Take care of them and on to the next.

Francisco de Goya y Lucientes

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