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Self-Portrait
1794
Oil on canvas
31 7/8 x 25 5/8 in.
Musée du Louvre, Paris. Département des Peintures. Gift of Eugène Isabey, 1852

Compositional Study for "Leonidas at Thermopylae"
c. 1798–1800
Pencil on paper
12 5/8 x 16 1/2 in.
Musée Fabre, Montpellier

Study for a Costume
c. 1798–1805
Black crayon, pen and ink, gray wash, and red, blue, and bister watercolor on paper, heightened with gold. The figure is cut out and pasted on a sheet with a landscape setting, executed in charcoal and stumping with red and bister watercolor.
13 1/4 x 9 5/8 in.
Musée national du Château de Versailles

Bonaparte Crossing the Alps at Grand-Saint-Bernard
1800–1801
Oil on canvas
8 ft. 6 3/8 in. x 7 ft. 3 in.
Musée national des Châteaux de Malmaison et Bois-Préau, Reuil-Mailmaison

Portrait of Cooper Penrose
1802
Oil on canvas
51 3/8 x 38 3/8 in.
The Putnam Foundation, Timken Museum of Art, San Diego

Portrait of Suzanne Le Peletier de Saint-Fargeau
1804
Oil on canvas
23 7/8 x 19 1/2 in.
The J. Paul Getty Museum, Los Angeles

Study for "The Coronation of Napoleon": The Bust of Madame de La Rochefoucauld and the Hand of Eugène de Beauharnais
c. 1805–1807
Oil on canvas
21 1/4 x 17 3/8 in.
Musée Fabre, Montpellier

Portrait of Angélique Mongez
1806
Black crayon on paper
6 1/8 x 4 in.
The Art Institute of Chicago. The Helen Regenstein Collection

Napoleon Bonaparte
c. 1806–8
Oil on panel, with strips of wood added on all four sides
Main panel: 15 7/8 x 12 3/8 in.; overall: 17 1/8 x 14 1/4 in.
Collection Fréderic Masson, Fondation Dosne-Thiers, Institut de France, Paris

Study for "The Distribution of the Eagles": Dragoon Raising an Eagle
c. 1808–10
Black crayon on paper
9 x 6 7/8 in.
Musée national du Château de Versailles

Study for "The Distribution of the Eagles": Napoleon in Imperial Robes
c. 1808–10
Black crayon on paper
9 7/8 x 7 3/4 in.
Musée national du Château de Versailles

Study for "The Distribution of the Eagles": Sapper-Granadier of the Guard
c. 1808–10
Black crayon on paper
9 7/8 x 7 3/4 in.
Musée national du Château de Versailles

Portraits of Alexandre Lenoir and Adélaïde Binard
1809
Black crayon (Alexande Lenoir) and pencil (Adélaïde Binard) on paper
Two separate sheets of paper, laid down side by side: 6 1/8 x 8 1/2 in. overall. On the far left, a strip 1/4 in. wide has been added and drawn over
Musée du Louvre, Paris. Département des Arts graphiques

Sappho, Phaon, and Cupid
1809
Oil on canvas
7 ft. 4 5/8 in. x 8 ft. 7 1/4 in.
The State Hermitage Museum, St. Petersburg

Study for "The Distribution of the Eagles": The Empress Josephine
c. 1809
Black crayon on paper
9 5/8 x 7 3/4 in.
The Art Institute of Chicago. The Helen Regenstein Collection

Portrait of Alexandrine Thérèse Nardot, Comtesse Daru
1810
Oil on canvas
32 1/4 x 25 5/8 in.
The Frick Collection, New York

Portrait of Jean-Baptiste Jeanin
1810
Oil on canvas
28 3/4 x 23 1/4 in.
Private collection

Portrait of Claude-Marie Meunier
c. 1810–13
Oil on canvas
28 3/4 x 23 1/2 in.
Private collection

Portrait of Antoine Français, called Antoine Français de Nantes
1811
Oil on panel
A strip of wood has been added on the right and at the bottom: 46 x 28 3/4 in. overall
Musée Jacquemart-André, Institut de France, Paris

The Emperor Napoleon in His Study at the Tuileries
1811–12
Oil on canvas
80 1/4 x 49 1/4 in.
National Gallery of Art, Washington. Samuel H. Kress Collection

Compositional Study for "Leonidas at Thermopylae"
c. 1811–13
Black crayon on paper
15 7/8 x 21 5/8 in.
The Metropolitan Museum of Art, New York. Rogers Fund, 1963

The Departure of Hector
1812
Black crayon, pen, black ink and wash, and white gouache on beige paper
8 3/4 x 11 1/2 in.
Musée du Louvre, Paris. Département des Arts graphiques

Portrait of Laure-Émilie-Félicité David, Baronne Meunier
c. 1812
Oil on canvas
28 3/4 x 23 5/8 in.
Fine Arts Museums of San Francisco. Roscoe and Margaret Oakes Collection

Portrait of Marguerite-Charlotte David, née Pécoul
1813
Oil on canvas
28 3/4 x 23 3/8 in.
National Gallery of Art, Washington. Samuel H. Kress Collection

Alexandre, Apelles, and Campaspe
c. 1813–23
Oil on panel
11 x 15 3/8 in.
Musée des Beaux-Arts, Lille

Portrait of Comte Henri-Amédé de Turenne
1816
Oil on canvas
27 1/2 x 20 7/8 in.
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Portrait of Comte Henri-Amédé de Turenne
1816
Oil on panel
44 x 31 7/8 in.
Ny Carlsberg Glyptotek, Copenhagen

Portrait of the Comtesse Vilain XIIII and Her Daughter
1816
Oil on canvas
37 1/2 x 30 in.
National Gallery, London

Portrait of François-Antoine Rasse de Gavre
1816
Oil on canvas
28 3/4 x 24 in.
Private collection, courtesy of Richard L. Feigen & Co.

Portrait of General Maurice-Étienne Gérard
1816
Oil on canvas
77 5/8 x 53 5/8 in.
The Metropolitan Museum of Art, New York. Purchase, Rogers and Fletcher Funds, and Mary Whetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1965

Composition with Three Figures
c. 1816–20
Black crayon on paper
5 3/8 x 7 5/8 in.
Private collection

Composition with Three Figures
c. 1816–20
Black crayon on paper
5 1/4 x 7 1/2 in.
W. M. Brady & Co., New York

The Figure of a Man ("The Prisoner")
c. 1816—22
Black crayon on paper; a drawn line in black ink frames the image
5 1/4 x 7 3/4 in.
The Cleveland Museum of Art. Purchase from the J. H. Wade Fund

Cupid and Psyche
1817
Oil on canvas
72 1/2 x 95 1/8 in.
The Cleveland Museum of Art. Leonard C. Hanna, Jr., Fund

Variation on "Leonidas at Thermopylae"
1817
Black crayon on paper
5 x 7 5/8 in.
James Mackinnon, London

The Farewell of Telemachus and Eucharis
1818
Oil on canvas
34 1/2 x 40 1/2 in.
The J. Paul Getty Museum, Los Angeles

The Anger of Achilles
1819
Oil on canvas
41 3/8 x 57 in.
Kimbell Art Museum, Fort Worth, Texas

Composition with Three Figures
1819
Black crayon on paper
6 5/8 x 7 7/8 in.
Private collection

A Scene of Mourning (Composition with Five Figures)
1819
Graphite and black chalk on laid paper
5 1/8 x 7 7/8 in.
Fine Arts Museums of San Francisco, Achenbach Foundation for the Graphic Arts Endowment Fund

Portrait of Ange-Pauline-Charlotte Ramel de Nogaret, née Panckoucke
1820
Oil on canvas
23 3/8 x 18 3/4 in.
James Fairfax Collection

Portrait of Dominique-Vincent Ramel de Nogaret
1820
Oil on canvas
23 3/4 x 18 3/4 in.
James Fairfax Collection

Composition with Four Figures
1821
Black crayon on paper
5 1/4 x 7 5/8 in.
James Mackinnon, London

Composition with Three Figures
1821
Black crayon on paper
5 1/4 x 7 5/8 in.
The Horvitz Collection, Boston

Composition with Three Figures
1821
Black crayon on paper
5 3/8 x 7 3/4 in.
Collection of Dr. Esmond Martin

Mars and Rhea Sylvia
1821
Pen and black ink, gray and light brown wash, with scratching out on paper (recto); and black crayon on paper (verso)
7 1/2 x 5 1/4 in.
Private collection, New York, courtesy of W. M. Brady & Co., New York

Portrait of Pauline-Jeanne Jeanin, née David, and Her Daughter Émilie
1821
Black crayon on paper
5 5/8 x 7 7/8 in.
The Snite Museum of Art, University of Notre Dame, Indiana. Gift of Mr. John D. Reilly, Class of 1963

Portrait of Zénaïde and Charlotte Bonaparte
1821
Oil on canvas
51 x 39 3/8 in.
The J. Paul Getty Museum, Los Angeles

The Rape of Lucretia
1825
Black crayon and white gouache on paper
6 5/8 x 7 7/8 in.
Private collection, courtesy of Hazlitt, Gooden & Fox, Ltd., London

François Rude
Portrait of Jacques-Louis David
1826—31
Marble
22 5/8 x 10 1/4 x 8 1/4 in. overall; height of bust 15 3/8 in.
Musée du Louvre, Paris. Département des Sculptures