Checklist
Anna Airy (English, 1882–1964)
Oak Apples
c. 1900–1914
Pen, black ink, and watercolor on paper washed a pale gray
12½ x 18 in. (31.6 x 45.3 cm)
Victoria and Albert Museum, London, given by A. E. Anderson, P.3–1916
An Aircraft Assembly Shop, Hendon
1918
Oil on canvas
72 x 84 in. (182.8 x 213.3 cm)
IWM (Imperial War Museums), IWM ART 1931
Shop for Machining 15-Inch Shells: Singer Manufacturing Company, Clydebank, Glasgow, Scotland
1918
Oil on canvas
72 x 84 in. (182.8 x 213.3 cm)
IWM (Imperial War Museums), IWM ART 2271
Blue Tit’s Breakfast
c. 1920
Pen, black ink, and watercolor on paper washed a pale gray
13 x 83⁄8 in. (33 x 21.2 cm)
Private collection
The Art of Pastel
Wealdstone, UK: Winsor and Newton,
1931
8½ x 5½ x ¼ in. (21.6 x 14 x .6 cm)
Private collection
Helen Allingham (English, 1848–1926)
Roses in Gertrude Jekyll’s Garden, Surrey
c. 1900–1901
Watercolor on paper
16¾ x 12½ in. (42.5 x 31.8 cm)
Private collection, courtesy of Chris Beetles Gallery, St. James’s, London
Anna Alma-Tadema (British, born Belgium, 1867–1943)
The Garden Studio
1886–87
Watercolor, traces of gum Arabic, and scratching out on paper stretched over a wooden frame
18¼ x 13½ in. (46.4 x 34.3 cm) Clark Art Institute, Williamstown,
Massachusetts, acquired by the Clark with support from Frank and Katherine Martucci, 2020.3
Self-Portrait
c. 1886–93
Oil on panel
11 x 85⁄8 in. (28 x 22 cm)
Ömer Koç Collection
Girl in a Bonnet with Her Head on a Blue Pillow (Maisie)
1902
Watercolor on paper
103⁄8 x 143⁄8 in. (26.4 x 36.6 cm)
Ashmolean Museum, University of Oxford, purchased 1964, WA1964.81
Vanessa Bell (English, 1879–1961)
Virginia Woolf
c. 1912
Oil on paperboard
14½ x 12 in. (36.8 x 30.5 cm)
Smith College Museum of Art,
Northampton, Massachusetts, gift of Ann Safford Mandel, class of 1953, 2002.21
Design for Overmantel
1912–13
Oil on paper
30 x 22 in. (76.2 x 55.9 cm)
Yale Center for British Art, New Haven, Connecticut, Paul Mellon Fund, B1992.14.1
Design for Omega Workshops Fabric
1913
Watercolor, gouache, and graphite on paper
26 x 21 in. (66.1 x 53.3 cm)
Yale Center for British Art, New Haven, Connecticut, Paul Mellon Fund, B1992.14.2
Self-Portrait
c. 1915
Oil on canvas laid on panel 251⁄8 x 181⁄8 in. (63.8 x 45.9 cm)
Yale Center for British Art, New Haven, Connecticut, Paul Mellon Fund, B1982.16.2
Interior with a Table
1921
Oil on canvas
21¼ x 25¼ in. (54 x 64.1 cm)
Tate, bequeathed by Frank Hindley Smith 1940, N05078
Woodcut illustration for “A Society,” in Monday or Tuesday by Virginia Woolf
English, 1882–1941
London: Hogarth Press, 1921
Book: 7½ x 51⁄8 x ½ in. (19 x 13x 1.3 cm); illustration: 5½ x 4 in. (14 x 10.2 cm)
Chapin Library, Williams College, Williamstown, Massachusetts, gift of Donald S. Klopfer, class of 1922, 1964
Design for an Embroidered Stool
c. 1925
Gouache on paper
11 x 311⁄8 in. (27.9 x 79.1 cm)
Yale Center for British Art, New Haven, Connecticut, Paul Mellon Fund, B1992.14.3
Dust jacket design for The Common Reader by Virginia Woolf
1925
Watercolor on paper
8¼ x 55⁄8 in. (21 x 14.6 cm)
Mortimer Rare Book Room Collection, Smith College Special Collections, Northampton, Massachusetts,
gift of Ann Safford Mandel, class of 1953, MRBC 120 Flat
Dust jacket for The Common Reader by Virginia Woolf
London: Hogarth Press, 1925
Book: 87⁄8 x 57⁄8 x 13⁄8 in.
(22.5 x 15 x 3.5 cm)
Mortimer Rare Book Room Collection, Smith College Special Collections, Northampton, Massachusetts,
gift of Ann Safford Mandel, class of 1953, 2018, MRBC PN511.W7 1925 c. 5
Dust jacket for To the Lighthouse by Virginia Woolf
London: Hogarth Press, 1927 Book: 7½ x 5¼ x 15⁄8 in.
(19.1 x 13.4 x 4 cm)
Mortimer Rare Book Room Collection, Smith College Special Collections, Northampton, Massachusetts,
gift of Ann Safford Mandel, class of 1953, 2018, MRBC PR6045 O72 1927 c. 4
Dust jacket for A Room of One’s Own by Virginia Woolf
London: Hogarth Press, 1929
Book: 7½ x 4¾ x ½ in. (19 x 12.1 x 1.3 cm)
Mortimer Rare Book Room Collection, Smith College Special Collections, Northampton, Massachusetts,
gift of the Estate of Marjorie Bache Menden, class of 1930, 1963, SC/RBR Copy 3 (825
W879ro c. 1)
Vanessa Bell and Duncan Grant (English, 1885–1978)
Ten plates from The Famous Women Dinner Service
1932–34
Hand-painted Wedgwood ceramic plates
Elizabeth Barrett Browning and Flush,
Vanessa Bell, Christina of Sweden, Jezebel, Christina Rossetti, and Virginia Woolf Diameter: 10 in. (25.5 cm); depth:¾ in. (2 cm)
Miss 1933 (Marion Bergeron), Sarah Bernhardt, Pocahontas, and Agnès Sorel Diameter: 9¼ in. (23.5 cm); depth:¾ in. (2 cm)
Charleston Trust, Firle, United Kingdom
Cover for Walter Sickert: A Conversation by Virginia Woolf
London: Hogarth Press, 1934
Book: 7¼ x 4¾ x ¼ in. (18.5 x 12 x .6 cm) Chapin Library, Williams College, Williamstown, Massachusetts
Evelyn De Morgan (English, 1855–1919)
Anatomical Sketchbook
c. 1874
Sketchbook with drawings in graphite, ink, and chalks
11 x 7 ¼ in. (28 x 18.5 cm) each sheet
Private collection
Head of a Youth
c. 1875
Charcoal on paper
19 ¼ x 14 in. (48.9 x 35.6 cm)
Clark Art Institute, Williamstown, Massachusetts, 2022.9
Study of a Male Model
c. 1875
Charcoal on paper
27 ½ x 20 1⁄8 in. (70 x 51 cm)
Private collection
Unknown maker
Medal awarded to Evelyn Pickering
[De Morgan] for drawing from life, Slade School of Fine Art, 1874–75
c. 1875
Silver
Diameter: 1 ½ in. (3.9 cm)
De Morgan Foundation, Barnsley, United Kingdom, E_0056
Phosphorus and Hesperus
1881
Oil on canvas
23 ½ x 17 ¼ in. (59.7 x 43.8 cm)
De Morgan Foundation, Barnsley, United Kingdom, P_EDM_0002
Studies of a Woman’s Arms
c. 1903–4
Chalk and pastel on paper
9 ¼ x 14 ½ in. (23.5 x 36.8 cm), each Clark Art Institute, Williamstown, Massachusetts,
gift of David Jenness in honor of Arthur F. Jenness, professor at Williams College, 2005, 2005.10.1-.2
The Field of the Slain
c. 1914–16
Oil on canvas
24 3⁄8 x 18 ¼ in. (61.9 x 46.4 cm)
Clark Art Institute, Williamstown, Massachusetts, 2022.14
The Red Cross
c. 1914–16
Oil on canvas
33 ½ x 23 5⁄8 in. (85 x 59.9 cm)
De Morgan Foundation, Barnsley, United Kingdom, P_EDM_0054
Elizabeth Adela Armstrong Forbes (Canadian, active in Britain, 1859–1912)
Will o’ the Wisp
c. 1900
Oil on canvas
46 3/4 x 66 3/4 in. (118.8 x 169.6 cm)
National Museum of Women in the Arts, Washington, DC, gift of Wallace and Wilhelmina Holladay, 2001.139
Eleanor Fortescue-Brickdale (English, 1872–1945)
The Posthumous Child
c. 1904
Watercolor and gouache on paper 30 x 17 in. (76.2 x 43.2 cm) Delaware Art Museum, Wilmington, Acquisition Fund, 2023, 2023–29
Guinevere — “Before the Coming of the Sinful Queen” — Tennyson
1910–11
Watercolor on paper
17¼ x 10 in. (43.8 x 25.4 cm)
Lent by Birmingham Museums Trust on behalf of Birmingham City Council, United Kingdom, 1911P67
Gluck (English, 1895–1978)
Tulips
1930–32
Oil on canvas board
24 1⁄8 x 20 1⁄8 in. (61.4 x 51.2 cm)
The Royal Collection / HM King Charles III
Medallion (You/We)
1936
Oil on canvas
12 x 14 in. (30.5 x 35.6 cm)
Ömer Koç Collection
Laura Sylvia Gosse (English, 1881–1968)
The Garden of Rowlandson House
c. 1913
Aquatint on paper
6 x 8 ½ in. (15.3 x 21.4 cm)
Victoria and Albert Museum, London, given by Sylvia Gosse, E. 2529–1948
The Seamstresses
c. 1914
Oil on canvas
21 x 16 in. (53.3 x 40.5 cm)
Rye Art Gallery, United Kingdom, donated by Barbara Bagenal in memory of Roger Senhouse, 1971, Gos1
The Printer
c. 1915
Oil on canvas
39 3⁄8 x 29 ½ in. (100 x 74.8 cm)
Swindon Museum and Art Gallery, United Kingdom,
Victoria and Albert Museum Purchase Grant Fund, 1978, AG 1978⁄318
Nina Hamnett (Welsh, 1890–1956)
Portrait of a Woman
1917
Oil on canvas
36 x 28 in. (91.4 x 71.1 cm) Private collection
Anna Hope “Nan” Hudson (American, active in Britain, 1869–1957)
Château d’Auppegard
After 1927
Oil on board
18 ¼ x 15 in. (46.2 x 38.2 cm)
Tate, bequeathed by Colonel Christopher Sands 2000, accessioned 2001, T07810
Gwen John (Welsh, 1876–1939)
The Brown Tea Pot
c. 1915–16
Oil on canvas
13 ¼ x 9 1⁄8 in. (33.5 x 23.2 cm)
Yale Center for British Art, New Haven, Connecticut, Paul Mellon Collection, 2001.2.107
Girl Holding a Rose
c. 1915–25
Oil on canvas
17 7⁄8 x 14 5⁄8 in. (45.4 x 37.1 cm)
Yale Center for British Art, New Haven, Connecticut, Paul Mellon Collection, B1993.30.15
Louise Jopling (English, 1843–1933)
Through the Looking-Glass
1875
Oil on canvas
21 x 18 in. (53.3 x 45.7 cm)
Tate, purchased 2023, T16213
Blue and White
1896
Oil on canvas
48 5⁄8 x 33 1⁄8 in. (123.5 x 84 cm)
National Museums Liverpool, Lady Lever Art Gallery,
presented by Lever Brothers, 1983, LL 3413
Hints to Students and Amateurs, 4th ed.
London: George Rowney, 1920
7 ¼ x 5 x ¼ in. (18.4 x 12.7 x .6 cm)
Clark Art Institute Library, Williamstown, Massachusetts
Lucy Kemp-Welch English, 1869–1958
The Ladies’ Army Remount Depôt, Russley Park, Wiltshire, 1918
1919
Oil on canvas
44 x 58 3⁄8 in. (111.7 x 148.3 cm)
IWM (Imperial War Museums), IWM ART 3094
Dame Laura Knight (English, 1877–1970)
A Balloon Site, Coventry
1943
Oil on canvas
40 3⁄8 x 50 in. (102.5 x 127 cm)
IWM (Imperial War Museums), IWM ART LD 2750
Take Off
1943
Oil on canvas
72 x 60 in. (182.8 x 152.4 cm)
IWM (Imperial War Museums), IWM ART LD 3834
Winifred Knights English, 1899–1947
Full-Length Seated Female Nude, Three-Quarter View
1917
Graphite on paper
15 3⁄8 x 12 3⁄8 in. (39 x 31.5 cm)
UCL Art Museum, University College London, LDUCS–6055
Sketchbook
c. 1919
Sketchbook with drawings in graphite
5 x 7 in. (12.6 x 17.7 cm) each sheet
UCL Art Museum, University College London, EDC 9563–9596
The Deluge
1920
Oil on canvas
60 ¼ x 72 ¼ in. (152.9 x 183.5 cm)
Tate, purchased with assistance from the Friends of the Tate Gallery 1989, T05532
Clare Leighton (American, born England, 1898–1989)
Breaking Up the Old Barge
1925
Wood engraving on paper
6 x 7 in. (15.2 x 17.8 cm)
Yale Center for British Art, New Haven, Connecticut, gift of Judith and Norman A. Zlotsky, Yale BS 1953, B2000.1.17
Landing
1931
Wood engraving on paper
8 ¼ x 12 ½ in. (21 x 31.8 cm)
Yale Center for British Art, New Haven, Connecticut, Yale Art Gallery Collection, gift of the Association in Fine Arts, B1994.4.1176
Wood-Engraving and Woodcuts
How to Do It series
London: The Studio, 1932
10 1⁄8 x 7 5⁄8 x 1 in. (25.7 x 19.4 x 2.5) Clark Art Institute Library,
Williamstown, Massachusetts
Blackbird on Nest
c. 1935
Wood engraving on paper
6 7⁄8 x 4 ¾ in. (17.5 x 12.1 cm)
Chapin Library, Willliams College,
Williamstown, Massachusetts, Graphics 0039
Iris Stylosa and Christmas Rose
c. 1935
Wood engraving on paper
5 3⁄8 x 4 ½ in. (13.7 x 11.4 cm)
Chapin Library, Williams College,
Williamstown, Massachusetts, Graphics 0040
Mary Lowndes (English, 1856–1929)
Mary Lowndes, designer and maker After William Holman Hunt (English, 1827–1910)
The Glass House (Lowndes & Drury, London, 1897–1970s), place of fabrication
The Finding of the Saviour in the Temple 1910
Stained glass
54 3⁄8 x 70 7⁄8 in. (138 x 180 cm) Stained Glass Museum, Ely Cathedral, United Kingdom, gift 1974, ELYGM:1974.1.1
May Morris (English, 1862–1938)
May Morris, designer
Jeffrey & Co. (London, 1836–1930s), manufacturer
Honeysuckle wallpaper
Designed 1883
Block-printed wallpaper
22 x 21 ¼ in. (56 x 54 cm)
William Morris Gallery, London Borough of Waltham Forest, NN462
William Morris (English, 1834–1896), designer
May Morris, embroiderer
Flowerpot panel
c. 1885–1900
Silk and gold threads on linen
20 ½ x 20 ½ in. (52.1 x 52.1 cm)
William Morris Gallery, London Borough of Waltham Forest, presented by Marie Lyndon Lang, 1954, F154 Cat. 19
May Morris, designer
Dame Alice Mary Godman (British, 1868–1944), embroiderer
Tudor Rose panel
c. 1890
Silk threads on linen
26 ½ x 26 ½ in. (67.3 x 67.3 cm)
RISD Museum, Rhode Island School of Design, Providence,
Farago Art Fund, 85.200
May Morris, designer and embroiderer
Maids of Honour panel
c. 1890s
Silk threads on fine silk mesh
23 5⁄8 x 23 5⁄8 in. (60 x 60 cm)
William Morris Gallery, London Borough of Waltham Forest, gift of Stephanie Godwin, 1995, F368
Decorative Needlework
London: Joseph Hughes, 1893
8 5⁄8 x 7 5⁄8 x 5⁄8 in. (23 x 19.5 x 1.6 cm)
William Morris Gallery, London Borough of Waltham Forest, donated by Joan Edwards, 2002, K2682
May Morris, designer and embroiderer
Mary J. Newill (English, 1860–1947), Dora Webb, G. Cattell, A. B. Simpson, Isobel Catterson-Smith, Mrs. Moore, Nan Hornby, M. Dalton, and Wilhemina Edelstein, embroiderers
Pair of Bed Hangings
1916
Wool threads on linen
76 ¾ x 27 in. (194.9 x 68.8 cm) each
Cranbrook Art Museum, Bloomfield Hills, Michigan,
gift of George Gough Booth and Ellen Scripps Booth, CAM 1955.402.A.-B
Winifred Nicholson (English, 1893–1981)
Cyclamen and Primula
c. 1923
Oil on board
19 ¾ x 21 5⁄8 in. (50 x 55 cm)
Kettle’s Yard, University of Cambridge, WN 4
Gwen Raverat (English, 1885–1957)
Fair Annie
1909
Wood engraving on paper
4 x 3 5⁄8 in. (10.4 x 9.3 cm)
Victoria and Albert Museum, London, presented by the artist, E. 1863–1919
Walnut Trees
1915
Wood engraving on paper
2 x 3 1⁄8 in. (5.1 x 7.9 cm)
Victoria and Albert Museum, London, presented by the artist, E. 1864–1919
Sheep
1919
Wood engraving on paper
2 ½ x 3 5⁄8 in. (6.2 x 9.2 cm)
Victoria and Albert Museum, London, presented by the artist, 1867–1919
The Bathers
1920
Wood engraving on paper
5 7⁄8 x 6 in. (14.8 x 15 cm)
Victoria and Albert Museum, London, E.556-1921
Bathsheba
1920
Wood engraving on paper
6 x 4 ¾ in. (15.3 x 12 cm)
Victoria and Albert Museum, London, E. 554–1921
The Bolshevist Agent 2
1920
Wood engraving on paper
6 1⁄8 x 6 in. (15.6 x 15.3 cm)
Victoria and Albert Museum, London, E. 552–1921
The Duckpond
1920
Wood engraving on paper
4 ½ x 4 in. (11.4 x 10.1 cm)
Victoria and Albert Museum, London, E.555-1921
Olive Pickers
c. 1922
Wood engraving on paper
3 ¾ x 6 1⁄8 in. (9.6 x 15.5 cm)
Victoria and Albert Museum, London, CIRC. 32–1926
Ethel Sands (British, born United States, 1873–1962)
The Chintz Couch
c. 1910–11
Oil on board
18 ¼ x 15 1⁄8 in. (46.5 x 38.5 cm)
Tate, presented by the Contemporary Art Society 1924, N03845
Tea with Sickert
c. 1911–12
Oil on canvas
24 x 20 1⁄8 in. (61 x 51 cm)
Tate, bequeathed by Colonel Christopher Sands 2000, accessioned 2001, T07808
Marie Spartali Stillman (English, 1844–1927)
Love’s Messenger
1885
Watercolor, tempera, and gold paint on paper
32 x 26 in. (81.3 x 66 cm)
Delaware Art Museum, Wilmington, Samuel and Mary R. Bancroft Memorial, 1935, 1935–75
Marianne Stokes (Austrian, active in Britain, 1855–1927)
Polishing Pans
c. 1887
Oil on canvas
23 ¼ x 31 ¼ in. (59 x 79.3 cm)
National Museums Liverpool, Walker Art Gallery, gift from George Audley, 1928, WAG 658
Annie Louisa Swynnerton (English, 1844–1933)
Mater Triumphalis
1892
Oil on canvas
65 ¾ x 26 ¾ in. (167 x 68 cm)
Musée d’Orsay, Paris, given by Edmund Davis, 1915, RF 1977 432
The Sense of Sight
1895
Oil on canvas
34 3⁄8 x 39 ¾ in. (87.3 x 101 cm)
National Museums Liverpool, Walker Art Gallery, gift from Charles J. Proctor, 1896, WAG 2640
