Checklist

 

The Observed Landscape

 
Joseph Mallord William Turner
English, 1775–1851
Rockets and Blue Lights (Close at Hand) to Warn Steamboats of Shoal Water
1840
Oil on canvas
36 1/4 x 48 1/8 in.
Clark Art Institute, 1955.37
 
Joseph Mallord William Turner
English, 1775–1851
View off Margate, Evening
c. 1840
Oil on canvas
12 5/8 x 19 1/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.117
 
John Constable
English, 1776–1837
Osmington Bay
1816
Oil on canvas
9 3/16 x 12 1/16 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.31
 
John Constable
English, 1776–1837
Yarmouth Jetty
c. 1822–23
Oil on canvas
12 3/4 x 20 1/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.36
 
John Constable
English, 1776–1837
Brighton Beach, Looking East
1824
Brush and gray wash over graphite on beige wove paper
6 15/16 x 10 1/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.39
 
John Constable
English, 1776–1837
Shipping in a Stormy Sea at Brighton
1824
Brush and gray ink over graphite on white wove paper
Sheet: 6 7/8 x 10 1/16 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.40
 
John Constable
English, 1776–1837
Sketch for “The Opening of Waterloo Bridge Seen from Whitehall Stairs, June 18th 1817”
c. 1819
Oil on canvas
6 1/2 x 9 1/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.48
 
John Constable
English, 1776–1837
Waterloo Bridge Seen from Whitehall Stairs
c. 1829
Oil on canvas
24 x 39 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.49

John Constable
English, 1776–1837
The Houses of Parliament on Fire
1834
Pen and brown ink with watercolor on cream wove paper
3 1/4 x 4 3/16 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.52
 
John Constable
English, 1776–1837
The Houses of Parliament after the Fire
1834
Pen and brown ink with watercolor on cream wove paper
3 3/4 x 6 1/2 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.20.3
 
John Constable
English, 1776–1837
Osmington Village
1816–17
Oil on canvas
10 1/8 x 12 in.
Yale Center for British Art, Paul Mellon Collection, B2001.2.156
 
David Lucas
English, 1802–1881
After John Constable
English, 1776–1837
Opening of Waterloo Bridge
1838
Mezzotint on cream wove paper
Sheet: 10 15/16 x 16 3/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.20.6.2

 

The Laborer in the Landscape

 
Joseph Mallord William Turner
English, 1775–1851
Brunnen, from the Lake of Lucerne
1845
Watercolor and gouache on paper
11 7/16 x 18 3/4 in.
Clark Art Institute, 1955.1865
 
Joseph Mallord William Turner
English, 1775–1851
Rochester
c. 1793
Watercolor with pen and gray ink on cream wove paper
Sheet: 8 1/2 x 11 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.100
 
Joseph Mallord William Turner
English, 1775–1851
The Moselle Bridge at Coblenz
1817
Watercolor and gouache, with scraping, on white wove paper
Sheet: 7 7/8 x 12 3/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.104
 
Joseph Mallord William Turner
English, 1775–1851
Great Yarmouth Fishing Boats
c. 1827
Gouache on blue wove paper
Sheet: 9 11/16 x 7 1/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.111
 
Joseph Mallord William Turner
English, 1775–1851
Saumur from the Île d'Offart, with the Pont Cessart and the Château in the Distance
c. 1830
Watercolor and gouache with pen and black and brown ink over traces of graphite on blue wove paper
Sheet: 5 x 7 9/16 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.112
 
Joseph Mallord William Turner
English, 1775–1851
Tummel Bridge, Perthshire
c. 1802–03
Oil on panel
11 3/8 x 18 3/8 in.
Yale Center for British Art, Paul Mellon Collection, B1976.7.162
 
John Constable
English, 1776–1837
Dedham Vale from the Road to East Bergholt, Sunset
1810
Oil on canvas
6 1/16 x 10 1/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.21
 
John Constable
English, 1776–1837
Flatford Mill from the Lock
c. 1810
Oil on paper, mounted on canvas
7 1/2 x 9 1/2 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.23
 
John Constable
English, 1776–1837
Flailing Turnip Heads, East Bergholt
c. 1812–15
Oil on canvas
14 x 17 1/2 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.25
 
John Constable
English, 1776–1837
The Wheat Field
1816
Oil on canvas
21 1/2 x 30 3/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.27
 
John Constable
English, 1776–1837
Sandbanks and a Cart and Horses on Hampstead Heath
c. 1820–25
Oil on canvas
7 3/4 x 10 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.37
 
John Constable
English, 1776–1837
Studies of a Post and Anchors and of a Fisherman, Brighton
c. 1824–26
Watercolor over graphite on white wove paper
Sheet: 3 11/16 x 5 7/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.41
 
John Constable
English, 1776–1837
Paint Box
Tin box with hinged lid, and seventeen compartments containing oil paints and varnishes
2 x 13 x 3 3/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.57
 
John Constable
English, 1776–1837
Ploughing Scene in Suffolk
1824–25
Oil on canvas
16 3/4 x 30 in.
Yale Center for British Art, Paul Mellon Collection, B1977.14.41
 
James Tibbits Willmore
British, 1800–1863
After Joseph Mallord William Turner
English, 1775–1851
Saumur
1833
Engraving on paper
Mounting sheet: 11 1/4 x 16 5/8 in.
Yale Center for British Art, Paul Mellon Collection, B1977.14.13600

 

The Literary Landscape

 
Joseph Mallord William Turner
English, 1775–1851
What You Will!
1822
Oil on canvas
19 5/8 x 21 3/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.107
 
Joseph Mallord William Turner
English, 1775–1851
Genoa
c. 1832
Watercolor and gouache over graphite on cream wove paper
Sheet: 5 x 8 1/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.113
 
Joseph Mallord William Turner
English, 1775–1851
The Temptation of Christ on the Mountain
c. 1834
Watercolor and gouache with graphite on cream wove paper
Sheet: 8 x 6 3/16 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.114
 
Joseph Mallord William Turner
English, 1775–1851
Wolf's Hope, Eyemouth
c. 1835
Watercolor and gouache over graphite, with scraping, on cream wove paper
Sheet: 4 1/8 x 6 1/2 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.115
 
Joseph Mallord William Turner English, 1775–1851
The Garden: An Illustration to Thomas Moore's “The Epicurean”
c. 1837–39
Watercolor over graphite, with scraping, on cream wove paper
Sheet: 7 3/8 x 5 7/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.118
 
Etching: Joseph Mallord William Turner
English, 1775–1851
Engraving: Robert Dunkarton
English, 1744–c. 1811
Rispah plate 46 from Liber Studiorum
1812
Etching and mezzotint printed in brown inks on cream wove paper
31 2/5 x 17.7 in.
Clark Art Institute
Acquired with funds provided by the Manton Foundation, 2008.5.46
 
Joseph Mallord William Turner
English, 1775–1851
Æsacus and Hesperie plate 66 from Liber Studiorum
1819
Etching and mezzotint on cream laid paper
Sheet: 10 9/16 x 16 5/16 in.
Clark Art Institute, 2013.9.5
 
Etching: Joseph Mallord William Turner
English, 1775–1851
Mezzotint engraving: Samuel Williams Reynolds, the elder
English, 1773–1835
Christ and the Woman of Samaria plate 71 from Liber Studiorum
1819
Etching and mezzotint on paper
10 9/16 x 16 1/4 in.
Clark Art Institute, 2013.9.10
 
John Constable
English, 1776–1837
Sheet of Sketches with Verses from Burns
1832
Pen and brown ink and brush and brown wash on white laid paper
Sheet: 7 5/8 x 6 3/16 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.51
 
John Cousen
English, 1804–1880
After Joseph Mallord William Turner
English, 1775–1851
The Temptation on the Mountain
1835
Etching and engraving on paper with scraping out and touched with graphite
Mounting sheet: 16 x 10 15/16 in.
Yale Center for British Art, Paul Mellon Collection, B1977.14.7928
 
Edward Goodall
English, 1795–1870
After Joseph Mallord William Turner
English, 1775–1851
The Garden frontispiece for Thomas Moore’s “The Epicurean: a tale; and, Alciphon: a poem”
(London: John Macrone, 1839)
Engraving on paper
7 x 9 1/2 in.
Chapin Library of Rare Books, Williams College
 
William Miller
Scottish, 1793–1882
After Joseph Mallord William Turner
English, 1775–1851
Bass Rock from Sir Walter Scott’s The Provincial Antiquities and Picturesque Scenery of Scotland, vol. 2. 1847
Engraving on paper
Open: 13 1/4 x 23 in.
Chapin Library of Rare Books, Williams College
 

The Built Landscape

 
Joseph Mallord William Turner
English, 1775–1851
Malmesbury Abbey from the South
c. 1794
Watercolor with traces of graphite on tan wove paper
Sheet: 8 3/16 x 10 1/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.101
 
Joseph Mallord William Turner
English, 1775–1851
The Tower of London
c. 1794
Watercolor over graphite on cream wove paper
Sheet: 4 7/8 x 6 3/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.102
 
Thomas Girtin
English, 1775–1802
Joseph Mallord William Turner
English 1775–1851
Dolbadarn Castle
c. 1795
Watercolor over graphite on cream wove paper
5 7/8 x 9 3/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.120
 
John Constable
English, 1776–1837
Malvern Hall
1821
Oil on canvas
21 5/16 x 30 13/16 in.
Clark Art Institute, 1955.683
 
John Constable
English, 1776–1837
Distant View of Salisbury Cathedral
1821
Oil on panel
6 13/16 x 10 1/16 in.
Clark Art Institute, 1955.684
 
John Constable
English, 1776–1837), Stratford Saint Mary from the Coombs
c. 1800
Oil on canvas
19 1/8 x 25 5/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.9
 
John Constable
English, 1776–1837
East Bergholt Church from the South East
c. 1809
Graphite on beige laid paper
7 15/16 x 5 3/16 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.19
 
John Constable
English, 1776–1837
Willy Lott's House
c. 1812–13
Oil on canvas
13 3/4 x 17 1/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.24
 
John Constable
English, 1776–1837
The Octagonal House, Putney Heath
1816
Graphite on cream wove paper
Sheet: 3 1/2 x 4 3/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.28
 
John Constable
English, 1776–1837
Cloud Study
c. 1821–22
Oil on cream laid paper, mounted on canvas
10 13/16 x 12 7/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.34
 
John Constable
English, 1776–1837
Caister Castle, Norfolk (after Sir George Beaumont)
1823
Graphite and brush and gray wash on white laid paper
8 x 10 3/8 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.38
 
John Constable
English, 1776–1837
Salisbury Cathedral from the River Nadder
c. 1829
Oil on beige wove paper, mounted on laminate cardboard
7 13/16 x 10 15/16 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.46
 
John Constable
English, 1776–1837
Salisbury Cathedral from the River Avon
1829
Graphite on cream wove paper
Sheet: 9 1/8 x 13 1/4 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.47
 
John Constable
English, 1776–1837
Salisbury Cathedral from the North West
c. 1830–39
Brush and brown ink over graphite on cream wove paper
3 1/16 x 2 3/16 in.
Clark Art Institute
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.50
 
John Constable
English, 1776–1837
Willy Lott's House
1802
Oil on canvas
13 1/4 x 16 3/4 in.
Clark Art Institute
Acquired with support from the Manton Foundation, 2013.10