Checklist


Detroit Photographic Company
American, c. 1897–1924
After Artist Unknown
American, 19th Century
Niagara, General View of the Falls
c. 1898
Photochrom
6 1/2 x 8 5/8 in.
David A. Hanson Collection of the History of Photomechanical Reproduction
Clark Art Institute Library
 
Artist Unknown
French, 20th century
Flooding of the Seine, Rue de Lyon, January 27, 1910
1910
Gelatin silver print
11 5/16 x 8 3/4 in.
Lent by the Troob Family Foundation
 
William Baillie
Irish, 1723–1818
After Rembrandt van Rijn
Dutch, 1606–1669
The Three Trees
c. 1800
Etching, engraving, and mezzotint on paper
14 7/16 x 11 9/16 in.
Gift of James Bergquist in memory of Charles C. Cunningham
Clark Art Institute, 1980.17
 
William Blake
English, 1757–1827
Behemoth and Leviathan, plate 15 from Illustrations of the Book of Job
1825
Engraving on paper
20 1/16 x 13 9/16 in. (sheet)
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton
Clark Art Institute, 2007.8.1.16
 
William Bradford
American, 1823–1892
Between the Iceberg and Field Ice, from The Arctic Regions
1869
Albumen print
19 7/16 x 24 7/16 in.
Williams College Museum of Art
Museum purchase, Joseph O. Eaton Fund (77.27)
 
Rodolphe Bresdin
French, 1822–1885
The Good Samaritan (Le Bon Samaritain)
1861
Lithograph on paper
22 1/4 x 17 1/4 in.
Clark Art Institute, 1967.8
 
Alexandre Calame
Swiss, 1810–1864
Route du Grimsel, no. 108 from Œuvres de A. Calame
1855
Lithograph on paper
10 1/16 x 7 3/8 in.
Clark Art Institute, 1983.9
 
Currier & Ives
American, 1834–1907
After Artist Unknown
American, 19th century
The Great Fire at Boston, Nov. 9 & 10, 1872
1872
Hand-colored lithograph on paper
7 15/16 x 12 11/16 in.
Gift of J. Thomas Wilson
Clark Art Institute, 1981.23
 
John Parker Davis
American, 1832–1910
After Winslow Homer
American, 1836–1910
Looking at the Eclipse
Published in Frank Leslie’s Chimney Corner, December 16, 1865
Wood engraving on newsprint
10 13/16 x 9 1/8 in.
Clark Art Institute, 1955.4449
  
Charles Marie Dulac
French, 1865–1898
The Wind, plate 4 from the portfolio Suite of Landscapes
1892–93
Color lithograph on paper
14 3/4 x 19 in.
Clark Art Institute, 2014.1
 
Edward Francis Finden
English, 1791–1857
After William Westall
English, 1781–1850
Entrance to the Peak Cavern, Derbyshire
1822
Engraving
3 5/8 x 5 3/8 in.
Williams College Museum of Art
Bequest of Jane T. Ritchie (85.24.28.A)
 
Charles Graham
American, 1852–1911
Fire-Works at Manhattan Beach—“The Last Days of Pompeii”
Published in Harper’s Weekly, July 25, 1885
Wood engraving on paper
9 1/8 x 13 9/16 in.
Clark Art Institute, 1955.4609
 
Théodore Gudin
French, 1802–1880
Squall Season (Tems de Grain)
1829
Lithograph on paper
7 5/16 x 10 3/8 in.
Clark Art Institute, 1955.2566
 
Wilhelm Hecht
German, 1843–1920
After Arnold Böcklin
Swiss-German, 1827–1901
Triton and Nereid (Triton und Nereïd)
c. 1880
Etching on paper
6 3/8 x 11 13/16 in.
Gift of anonymous donor
Clark Art Institute, 1980.62
 
Winslow Homer
American, 1836–1910
Eight Bells
1887; probably printed c. 1940
Etching on paper
18 3/4 x 24 7/16 in.
Clark Art Institute, 1955.1479
 
Winslow Homer
American, 1836–1910
Saved
1889
Etching on paper
16 7/8 x 30 1/16 in.
Clark Art Institute, 1972.16
 
After Winslow Homer
American, 1936–1910
At Sea—Signaling a Passing Steamer
Published by Every Sunday, April 8, 1871
Wood engraving on newsprint
8 13/16 x 11 3/4 in.
Clark Art Institute, 1955.4058
 
Jules Ferdinand Jacquemart
French, 1837–1880
Title Page, from Les Quatres Elements
1863
Etching on paper
8 3/4 x 10 13/16 in.
Williams College Museum of Art
Bequest of John H. Maghee (37.2.46.A)
 
Jules Ferdinand Jacquemart
French, 1837–1880
Frontispiece, from Les Quatres Elements: Le Chaos
1863
Etching on paper
8 7/8 x 11 1/2 in.
Williams College Museum of Art
Bequest of John H. Maghee (37.2.46.B)
 
Octave Édouard Jahyer
French, 19th century
After Gustave Doré
French, 1832–1883
The Legend of the Wandering Jew, 11: Trees intertwined with snakes…
1856
Wood engraving on paper
15 7/8 x 12 1/8 in.
Gift of Stephen and Laura Dankner
Clark Art Institute, 1977.55K
 
Max Klinger
German, 1857–1920
Battling Centaurs (Kämpfende Centauren), plate 5 from Intermezzi, Opus IV
1881
Etching and aquatint on paper
15 3/16 x 9 3/4 in.
Clark Art Institute, 1986.29
 
John Martin
English, 1789–1854
The Fall of the Rebel Angels, Paradise Lost, Book 1, Line 44
1825
Mezzotint on paper
7 15/16 x 10 1/8 in.
Clark Art Institute, 1987.58
 
John Martin
English, 1789–1854
Landscape with Cattle Grazing in the Foreground
1833
Watercolor and gouache, with gum arabic on paper
6 1/2 x 9 in.
Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton
Clark Art Institute, 2007.8.90
 
Thomas Moran
American, 1837–1926
Bridge at the Pass of Glencoe, Scotland
1888
Etching on paper
9 1/8 x 11 3/4 in.
Clark Art Institute, 1993.39.1
 
Motty
French, 19th Century
La population d’une goutte d’eau représente tout un monde,
from Les Terres du Ciel: Voyage Astronomique sur les autres Mondes, by Camille Flammarion
1884
Engraving on paper
7 1/2 x 5 1/8 in. (image)
Clark Art Institute Library
 
Eadweard Muybridge
American, 1830–1904
Cloud’s Rest, Valley of the Yosemite (No. 40)
1872
Albumen print
17 1/16 x 21 5/8 in.
Acquired with funds donated by Herbert Allen
Clark Art Institute, 2000.8.5
 
Alphonse de Neuville
French, 1835–1885
Underwater Landscape of Crespo Island (Paysage sous-marin de l’île Crespo),
from Vingt mille lieues sous les mers, by Jules Verne
c. 1895
Color wood engraving on paper
11 1/2 x 15 in. (open)
Chapin Library, Williams College
 
Timothy H. O’Sullivan
American, c. 1840–1882
Cañon de Chelle, Walls of the Grand Cañon about 1200 Feet in height
1873
Albumen print
8 x 10 3/4 in.
Lent by the Troob Family Foundation
 
Sir Francis Powell
Scottish, 1833–1914
Scene on a Scottish Lake
1882
Watercolor on paper
11 1/4 x 25 5/8 in.
Gift of Robert Tuggle
Clark Art Institute, 2012.19.1
 
Richard Proctor
English, 1837–1888
Lunar Landscape—“Full” Earth and Lunar Landscape—“New Earth,” plates IV and V from
The Moon: Her Motions, Aspect, Scenery, and Physical Condition
1878
Photomechanical reproduction of wood engraving on paper
7 1/2 x 5 in. (sheet)
David A. Hanson Collection of History of Photomechanical Reproduction
Clark Art Institute Library
 
Aaron Draper Shattuck
American, 1832–1928
Monument Mountain
1862
Graphite, heightened with white gouache, on paper
12 1/2 x 19 3/16 in.
Clark Art Institute, 1975.19
 
Félix Thiollier
French, 1842–1914
Flooding of the Rhône at Gisors
c. 1900–14
Gelatin silver print
11 5/16 x 14 7/8 in.
Clark Art Institute, 2007.15.7
 
Félix Thiollier
French, 1842–1914
Sleds in the Snow, Haute-Loire
c. 1900–14
Gelatin silver print
11 15/16 x 15 11/16 in.
Clark Art Institute, 2007.15.3
 
Albert Tissandier
French, 1839–1906
After James Nasmyth
Scottish, 1808–1890
Surface of the Moon and Vesuvius and Adjacent Country, Italy,
from Scientific American: A Weekly Journal of Practical Information, vol. 34, no. 20
May 13, 1876
Wood engravings on paper
16 x 11 in. (sheet)
David A. Hanson Collection of the History of Photomechanical Reproduction
Clark Art Institute Library
 
Étienne Léopold Trouvelot
French, 1827–1895
The November Meteors, plate XII from The Trouvelot Astronomical Drawings Manual
1882
Color lithograph on paper
28 x 21 in. (image)
Chapin Library, Williams College
 
Étienne Léopold Trouvelot
French, 1827–1895
Solar Protruberances, plate II from The Trouvelot Astronomical Drawing Manual
1882
Color lithograph on paper
28 x 21 in. (image)
Chapin Library, Williams College
 
Joseph Mallord William Turner
English, 1775–1851
Ben Arthur, Scotland, plate 69 from Liber Studiorum, part XIV
1819
Etching and mezzotint on paper
8 3/16 x 11 in.
Clark Art Institute, 2013.9.8
 
William Westall
English, 1781–1850
Entrance to the Peak Cavern, Derbyshire
c. 1822
Watercolor and gouache on paper
7 7/8 x 9 1/16 in.
Williams College Museum of Art
Bequest of Jane T. Ritchie (85.24.28)