Women with a Dog

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Bonnard’s painting shows his sister and cousin playing with the family dog in a garden, with three figures just visible behind them. The artist compressed the space and simplified the forms, flattening the folds and patterns of the women’s clothing. He also outlined shapes in pencil and ink, occasionally scratching them into the paint. These experimental techniques are characteristic of a decorative style pursued by a group of young painters known as the Nabis (Prophets), with whom Bonnard was associated at the time.

Provenance

Olivier Sainsère, Paris; sale, Musée Galliéra, Paris, 19 June 1963, no. 1, as Femme au chien; Philippe Durand-Ruel, Paris (1963–65); [Hirschl & Adler Galleries, New York, in 1965]; Mr. and Mrs. Lowell S. Dillingham, Honolulu (1965–73, sold to Hirschl & Adler, 1 Dec. 1973); [Hirschl & Adler Galleries, New York, 1973–79, sold to the Clark, 24 July 1979]; Sterling and Francine Clark Art Institute, 1979.

Pierre Bonnard

French, 1867–1947

Women with a Dog

1891

Oil and ink on canvas

16 1/8 x 12 13/16 in. (41 x 32.5 cm) Frame: 26 7/8 x 23 11/16 in. (68.3 x 60.2 cm)


Acquired by the Clark, 1979

1979.23


ON VIEW

BIBLIOGRAPHY

Ives, Colta, Helen Giambruni, Sasha Newman. Pierre Bonnard: The Graphic Art. Exhibition catalogue. New York: The Metropolitan Museum of Art, 1989.

Terrasse, Antoine. Bonnard. Exhibition catalogue. Munich: Hirmer Verlag, 1994.

Lees, Sarah, ed. Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute; New Haven and London: distributed by Yale University Press, 2012.

Turner, Elizabeth Hutton. Pierre Bonnard: Early and Late. Exhibition catalogue. Washington, DC: The Phillips Collection, 2002.