THOMAS KRENS TO PRESENT SERIES OF FOUR LECTURES AT CLARK ART INSTITUTE

October 1, 2018
[Digital image available upon request]
 
Williamstown, Massachusetts—The Clark Art Institute welcomes Thomas Krens, chairman of the Extreme Model Railroad and Contemporary Architecture Museum and Director Emeritus of the Solomon R. Guggenheim Foundation, for a series of four talks focused on the importance of art and architecture in shaping the life of cities and changing societies. The talks will be held Sundays, October 21, November 18, January 20, and February 10 at 3 pm in the auditorium, located in the Clark’s Manton Research center. All lectures in the series are free and open to the public.
 
The lecture series highlights influential projects Krens has either led or played a major role in developing—including MASS MoCA some thirty years ago; the Guggenheim Museum Bilbao in the early 1990s; the Saadiyat Island Cultural District in Abu Dhabi (including the newly opened Louvre Abu Dhabi); the Meixi Lake Museum of Modern and Contemporary art in Changsha, Hunan Province, China; the suite of five new museums currently planned in North Adams; and the utopian “Hub for the Arts” in Saudi Arabia, a project just beginning on an island in the Red Sea.
 
Kicking off the series on October 21 is the lecture “Art, Money, Oil, and Guns: The Saga of the Guggenheim Abu Dhabi.” The lecture traces the narrative arcs of two important elements that combined to produce the Guggenheim Abu Dhabi, an extraordinary new museum Krens has called “the Apotheosis.”
 
The first arc describes the genesis and evolution of the “Global Guggenheim” concept and its aspirations to design and frame an ambitious and unprecedented vision for the role, use, and consumption of contemporary culture by weaving together the major functions of the art museum as cultural agora, center of exchange and discourse, and mediator of the gulf between local and global cultural and political perspectives.
 
The second narrative arc is about the evolution of Abu Dhabi, capital of the United Arab Emirates, and its transition from a pre-medieval culture as late as the 1950s into the wealthiest country in the world on a per-capita basis at the beginning of the twenty-first century. Currently, the UAE is the fourth-largest buyer of US armaments in the world and is a combatant in an active war in Yemen as an ally of Saudi Arabia.
 
From 2005–2010, these two improbable narratives—those of the Guggenheim and Abu Dhabi— intersected, and a common vision was poised to become reality. Krens and the Solomon R. Guggenheim Foundation were hired to develop the entire Saadiyat Island Cultural District Master Plan for Abu Dhabi, which included four major museums, a performing arts center, and seventeen exhibition pavilions
 
In his talk, Krens locates these events in the larger context of forces in both the cultural and geopolitical worlds and describes their continuous interaction. “The Abu Dhabi project has already transformed perceptions of the role and purpose of art museums,” he said. “At the very least, it has suggested new mechanisms for political dialogue as these institutions mature and grow over time.”
 
Additional lectures in the series include:
 
Bilbao, November 18
The Manhattan Project, January 20
Unfinished Business: The EMRCA and the Diseases of Despair, February 10
 
ABOUT THE CLARK

The Clark Art Institute, located in the Berkshires of western Massachusetts, is one of a small number of institutions globally that is both an art museum and a center for research, critical discussion, and higher education in the visual arts. Opened in 1955, the Clark houses exceptional European and American paintings and sculpture, extensive collections of master prints and drawings, English silver, and early photography. Acting as convener through its Research and Academic Program, the Clark gathers an international community of scholars to participate in a lively program of conferences, colloquia, and workshops on topics of vital importance to the visual arts. The Institute’s library, consisting of more than 275,000 volumes, is one of the nation’s premier art history libraries. The Clark, which also houses and co-sponsors the Williams College Graduate Program in the History of Art, has a three-star rating in the Michelin Green Guide.
 
The Clark is located at 225 South Street in Williamstown, Massachusetts. Galleries are open Tuesday through Sunday, 10 am to 5 pm. Admission is $20; free year-round for Clark members, children 18 and younger, and students with valid ID. Free admission is available through several programs, including First Sundays Free; a local library pass program; EBT Card to Culture; Bank of America Museums on Us; and Blue Star Museums. For more information on these programs and more, visit clarkart.edu or call 413 458 2303.
 
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