
Le Boulevard de Clichy, effet de soleil d'hiver, 1880, by Camille Pissarro
Is Paris Still the Capital of
the Nineteenth Century?
Program:
In order of discussion
Collectives
Moderator: Hollis Clayson, Northwestern University
Manet’s Empire
Howard Lay, University of Michigan
Brotherhood of Individuals: Degas’s Group Portraits
Bridget Alsdorf, Princeton University
Baudelaire and the Melancholy Art of Modern Life
Paul Smith, University of Warwick, United Kingdom
Classifications
Moderator: Carol Ockman, Williams College
Revisiting the 1860s: Race and Place in Cape Town and Paris
Tamar Garb, University College London
Manet’s Race
Darcy Grimaldo Grigsby, University of California, Berkeley
The Concealed Labour of Art History in the Formation of the Musée Guimet
Ting Chang, Carnegie Mellon University
Politics
Moderator: André Dombrowski, University of Pennsylvania
Jean Jaurès and the Materiality of Vision
Nina Athanassoglou-Kallmyer, University of Delaware
Housewife or Harlot? Painting the Bourgeoise
John House, Courtauld Institute of Art, UK
The Guillotine Sublime: Corday to Redon
Marc Gotlieb, Williams College
Clark Exhibitions
Paris-centered shows at the Clark: a glimpse
Richard Kendall, the Clark
Reproduced
Moderator: Sarah Lees, the Clark
Modern or Anti-Modern? The Art of the Academy and the Technologies of Reproduction
Stephen Bann, University of Bristol, UK
Manet, Originality and Reproduction
Anne Higonnet, Barnard College, Columbia University
Pimping Out Painting: Courbet, Manet and Cézanne in the 1860s and 1870s
Aruna D’Souza, Binghamton University, SUNY
Privacy
Moderator: Nancy Mowll Mathews, Williams College Museum of Art
Living on Manet’s Balcony, or the Right to Privacy
André Dombrowski, University of Pennsylvania
Cassatt Agonistes: Modernism, Darkness and Light
Hollis Clayson, Northwestern University
The Private Lives of Public Paintings
Martha Ward, University of Chicago
Genealogy
Moderator: Mark Ledbury, the Clark
Modernity’s Abstraction
Richard Shiff, University of Texas at Austin
The Medium of Air: Manet, Mallarmé and Pleinairism in the 1870s
Margaret Werth, University of Delaware
Cézanne, Color, and Forgetting
Nancy Locke, Pennsylania State University