EXHIBITION CHECKLIST
The following works are those exhibited at the Williamstown venue of the exhibition. For a complete listing of works that appeared in London, please consult the exhibition catalogue. All works are by Claude Monet unless otherwise indicated.
Drawings
The Old "Le Pollet" Quarter of Dieppe, 1856–57
Graphite and watercolor on scratchboard, 134 x 219 mm
Museum of Fine Arts, Boston. Gift of Elizabeth K. Davis
Alley of Trees, Gournay, 1857
Pencil, 307 x 228 mm
The World Children's Art Museum, Okazaki, Japan
Bather Wearing a Hat, 1857
Pencil on buff paper, 309 x 230 mm
Private collection
Cliff at Sainte-Adresse, 1857
Pencil and white chalk on gray paper, 228 x 307 mm
The World Children's Art Museum, Okazaki, Japan
Tree Trunks at La Mare au Clerc, 1857
Pencil, approx. 310 x 220 mm
Musée Eugène Boudin, Honfleur
Water Mill on the Lézarde at Épouville, 1857
Pencil on warm gray paper, 228 x 307 mm
The World Children's Art Museum, Okazaki, Japan
Dandy with a Cigar, c. 1857
Pencil heightened with gouache on gray paper, 240 x 160 mm
Musée Marmottan Monet, Paris
The Painter with a Pointed Hat, c. 1857
Watercolor and pencil with white gouache on beige paper, 312 x 242 mm
Private collection
Young Man with a Monocle, c. 1857
Pencil heightened with gouache on beige paper, 240 x 160 mm
Musée Marmottan Monet, Paris
Caricature of Adolphe-Victor Coësme, 1858
Charcoal heightened with white chalk on blue laid paper (discolored to gray), 620 x 390 mm
Private collection
After Nadar (Félix Tournachon)
Caricature of Adolphe Dennery, c. 1858
Graphite on buff paper, 320 x 240 mm
Musée Marmottan Monet, Paris
Caricature of Félix (Alexandre Ursule Cellérier), c. 1858
Pencil on tan paper, 310 x 237 mm
Musée Marmottan Monet, Paris
Caricature of Grandfather Lebas, c. 1858–59
Pencil, 241 x 146 mm
Private collection
Caricature of Henri Cassinelli ("Rufus Croutinelli"), c. 1858
Graphite on tan paper, laid down on commercially prepared tan card, 130 x 84 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Caricature of Jules Didier, "Butterfly Man," c. 1858
Charcoal heightened with white chalk on blue laid paper (discolored to gray), 616 x 436 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Caricature of Léon Manchon, c. 1858
Charcoal with stumping heightened with white chalk on blue laid paper (discolored to gray), 612 x 452 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Caricature of a Man with a Snuff Box, c. 1858
Charcoal heightened with white chalk on blue laid paper (discolored to olive-gray), 588 x 330 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
After Etienne Carjat
Caricature of Mario Uchard, c. 1858
Graphite on tan paper, 320 x 243 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Caricature of a Young Woman at the Piano, c. 1858
Graphite heightened with white chalk on tan paper, 320 x 240 mm
Musée Marmottan Monet, Paris
After Nadar (Félix Tournachon)
Caricature of Auguste Vacquerie, c. 1859
Graphite on tan paper, laid down on commercially prepared cream card, 283 x 175 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Little Theatrical Pantheon, c. 1859
Pencil heightened with gouache, 340 x 470 mm
Musée Marmottan Monet, Paris
Study of Cows, c. 1863
Black crayon, 240 x 470 mm
Collection of Faruk A. Alatan
Boats on the Beach in Normandy [recto and verso], c. 1864
Black chalk on off-white laid paper, 135 x 305 mm
Private collection, courtesy of Elrick-Manley Fine Art Inc.
Cliffs and Sea, Sainte-Adresse, c. 1864
Black chalk on off-white laid paper, 206 x 314 mm
The Art Institute of Chicago. Clarence Buckingham Collection
Coast of Lower Normandy, c. 1864
Black chalk on off-white laid paper, 180 x 300 mm
Private collection
The Coast of Normandy Viewed from Sainte-Adresse, c. 1864
Black chalk on off-white laid paper, 175 x 308 mm
Fine Arts Museums of San Francisco. Memorial Gift from Dr. T. Edward and Tullah Hanley, Bradford, Pennsylvania
Houses by the Sea, c. 1864
Black chalk on off-white laid paper, 246 x 334 mm
The Museum of Modern Art, New York. Gift of Mr. and Mrs. Marion Joseph Lebworth
The Port at Touques, c. 1864
Black chalk on off-white laid paper, 210 x 330 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Mouth of the Seine at Honfleur, 1865
Pen and ink, 245 x 360 mm
Private collection, courtesy of Brame and Lorenceau, Paris
Figure of a Woman (Camille), c. 1865
Black chalk on off-white laid paper, 472 x 315 mm
The Morgan Library and Museum, New York. Thaw Collection from the Family of Richard S. Davis, courtesy of Stiebel, Ltd.
The Luncheon on the Grass, c. 1865
Black chalk on blue-gray laid paper, 305 x 468 mm
National Gallery of Art, Washington, D.C. Collection of Mr. and Mrs. Paul Mellon
The Two Anglers, 1883
Black crayon and scratchwork on Gillot paper, 256 x 344 mm
The Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts. Bequest of Meta and Paul J. Sachs, 1965
View of Rouen, 1883
Black crayon and scratchwork on Gillot paper, 313 x 475 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Portrait of a Woman, c. 1895
Red chalks, 285 x 210 mm
Private collection
Reflections of Willows, c. 1918
Black crayon on blue-gray paper, 300 x 470 mm
Musée Marmottan Monet, Paris
Water Lilies, c. 1918
Black crayon on blue-green paper, 315 x 475 mm
Musée Marmottan Monet, Paris
Water Lilies, c. 1918
Black crayon on blue-green paper, 315 x 475 mm
Musée Marmottan Monet, Paris
Pastels
Yport and the Falaise d'Aval, c. 1861
Pastel, 185 x 395 mm
Private collection
View of the Sea at Sunset, c. 1862–64
Pastel, 153 x 400 mm
Museum of Fine Arts, Boston. Bequest of William P. Blake in memory of his sister, Anne Dehon Blake
Study of Five Boys, c. 1864
Black chalk and pastel on buff paper, 140 x 250 mm
Museum Boijmans Van Beuningen, Rotterdam. Koenigs Collection
Broad Landscape, c. 1864–66
Pastel, 174 x 359 mm
Museum of Fine Arts, Boston. Bequest of William P. Blake in memory of his sister, Anne Dehon Blake
Landscape with Houses, c. 1864–66
Pastel on beige paper, 219 x 425 mm
The Metropolitan Museum of Art. Bequest of Susan Dwight Bliss, 1966
Study of Sailboats and Harbor, c. 1864–68
Pastel, 480 x 320 mm
Private collection
The Seine Estuary, c. 1864–70
Pastel on paper laid down on canvas, 251 x 375 mm
Private collection
Cat Sleeping on a Bed, c. 1865–70
Pastel, 110 x 210 mm
Private collection, courtesy of Jill Newhouse and Neffe de-Gandt Fine Art, London
Nightfall, c. 1865–70
Pastel on gray paper, 212 x 379 mm
Musée des Beaux-Arts de Nantes. Gift of the Société des amis du Musée des Beaux-Arts de Nantes, 1968
Sainte-Adresse, View across the Estuary, c. 1865–70
Pastel, 216 x 279 mm
Private collection
Three Cows in a Pasture, c. 1865–70
Pastel, 320 x 250 mm
Private collection
Twilight, c. 1865–70
Pastel on gray paper, 189 x 311 mm
Musée des Beaux-Arts de Nantes. Gift of the Société des amis du Musée des Beaux-Arts de Nantes, 1968
Fruit Trees, c. 1865–75
Pastel, 225 x 292 mm
Private collection, courtesy of Galerie Jan Krugier & Cie., Geneva
After the Rain, 1868
Pastel, 179 x 295 mm
Private collection
Bank of the Seine, c. 1869
Pastel on tan paper, 245 x 425 mm
Private collection
Étretat, the Cap d'Antifer, c. 1885
Pastel, 270 x 346 mm
Private collection
Étretat, the Needle Rock and Porte d'Aval, c. 1885
Pastel on tan paper, 400 x 235 mm
Private collection
The Road and the House, c. 1885
Pastel, 210 x 292 mm
Jay and Ruth Pack Family Collection
Charing Cross Bridge, c. 1901
Pastel, 310 x 485 mm
Triton Foundation, The Netherlands
Charing Cross Bridge, London, c. 1901
Pastel, 300 x 470 mm
Collection of Alan and Edith Seligson
Waterloo Bridge, c. 1901
Pastel, 305 x 480 mm
Triton Foundation, The Netherlands
Waterloo Bridge, Fog, c. 1901
Pastel, 270 x 420 mm
Private collection
Waterloo Bridge, Boats on the Thames, 1902
Pastel on blue-gray paper, 310 x 480 mm
Private collection
Paintings
Farmyard in Normandy, 1863
Oil on canvas, 65 x 81.5 cm
Musée d'Orsay, Paris. Bequest of M. and Mme Raymond Koechlin, 1931
Towing a Boat, Honfleur, 1864
Oil on canvas, 55.2 x 82.1 cm
Memorial Art Gallery of the University of Rochester. Gift of Marie C. and Joseph C. Wilson
Rue de la Bavole, Honfleur, c. 1864
Oil on canvas, 55.9 x 61 cm
Museum of Fine Arts, Boston. Bequest of John T. Spaulding
Bazille and Camille (Study for "The Luncheon on the Grass"), c. 1865
Oil on canvas, 93.5 x 69.5 cm
National Gallery of Art, Washington, D.C. Ailsa Mellon Bruce Collection
Seascape: Storm, c. 1866–67
Oil on canvas, 48.7 x 64.7 cm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
View of Rouen, 1872
Oil on canvas, 54 x 73 cm
Private collection, courtesy of Pyms Gallery, London
The Two Anglers, 1882
Oil on canvas, 38 x 52.5 cm
Private collection
The Cliffs at Étretat, 1885
Oil on canvas, 64.9 x 81.1 cm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
The Côte Sauvage, the Cliffs of Belle-Île, 1886
Oil on canvas, 65 x 81.5 cm
Musée d'Orsay, Paris. Bequest of Gustave Caillebotte, 1894
Rouen Cathedral, Façade, 1894
Oil on canvas, 106.3 x 73.7 cm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Acquired in memory of Anne Strang Baxter
Charing Cross Bridge, c. 1900
Oil on canvas, 66 x 92.7 cm
Indianapolis Museum of Art. Gift of Several Friends of the Museum
Waterloo Bridge, Morning Fog, 1901
Oil on canvas, 65.7 x 100.2 cm
Philadelphia Museum of Art. Bequest of Anne Thomson in memory of her father, Frank Thomson, and her mother, Mary Elizabeth Clarke Thomson
Water Lilies, 1916–19
Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Water Lilies, c. 1918
Oil on canvas, 130.2 x 200.7 cm
The Metropolitan Museum of Art, New York. Gift of Louise Reinhardt Smith, 1983
Prints
Caricature of Louis Fortuné Adolphe Laferrière, 1860
Gillotage, 385 x 280 mm
Musée Carnavalet-Histoire de Paris
Johan Barthold Jongkind
Dutch, 1819–1891
The Two Sailboats, 1862
Etching, 178 x 216 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Johan Barthold Jongkind
Dutch, 1819–1891
Houses Beside the Canal, 1862
Etching, 178 x 216 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
A. Belloguet, after Claude Monet
Mouth of the Seine at Honfleur, 1865
Gillotage, 165 x 280 mm. From L'Autographe au Salon de 1865 9 (24 June 1865), p. 76
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
After Claude Monet
The Cabin at Sainte-Adresse, 1880
Gillotage, 145 x 191 mm. From La vie moderne 2 (19 June 1880), p. 400
W.E.B. Du Bois Library, University of Massachusetts Amherst
After Claude Monet
View of Rouen, 1883
Gillotage, 135 x 205 mm. From Gazette des beaux-arts 27, no. 4 (1 Apr. 1883), p. 345
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
After Claude Monet
The Two Anglers, 1883
Gillotage, 167 x 234 mm
The Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts. Drawing Department Fund for Special Acquisitions
After Claude Monet
The Côte Sauvage, 1891
Gillotage, 249 x 309 mm. From L'Art dans les deux mondes 1 (7 Mar. 1891), p. 181
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
After Claude Monet
The Côte Sauvage, 1893
Gillotage, 154 x 204 mm. From The Studio 1 (1893), p. 242
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
William Thornley, after Claude Monet
The Beach and the Falaise d'Amont, Étretat, c. 1894
Transfer lithograph printed in reddish-orange on off-white chine appliqué, 210 x 194 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
Blanche Hoschedé Painting, c. 1894
Transfer lithograph printed in gray-black, green, and red on off-white chine appliqué, 160 x 200 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
The Cliff and the Porte d'Aval, Étretat, c. 1894
Transfer lithograph printed in greenish-gray on off-white chine appliqué, 187 x 260 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
The Côte Sauvage, c. 1894
Transfer lithograph printed on olive-toned chine appliqué, 210 x 277 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
The Côte Sauvage, c. 1894
Transfer lithograph printed in black on blue-toned chine appliqué, 210 x 277 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
The Creuse, Dark Weather, c. 1894
Transfer lithograph printed in greenish-gray on rose-toned chine appliqué, 204 x 257 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
Fishing Boats at Étretat, c. 1895
Transfer lithograph printed in reddish-brown on grayish-blue chine appliqué, 184 x 252 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
William Thornley, after Claude Monet
Gorge of the Petite Creuse, c. 1894
Transfer lithograph printed on blue-toned chine appliqué, 208 x 292 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
Grainstacks, Last Sunrays, c. 1894
Transfer lithograph printed in orange on off-white chine appliqué, 217 x 262 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
Portrait of Poly, c. 1894
Transfer lithograph with scraping printed in dark gray on off-white chine appliqué, 223 x 164 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
Rocky Coast and the Lion Rock, Belle-Île, c. 1894
Transfer lithograph printed in warm gray on off-white chine appliqué, 195 x 240 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
View from the Cap d'Antibes, c. 1894
Transfer lithograph printed in bluish-gray on rose-toned chine appliqué, 145 x 178 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
Nadar (Félix Tournachon)
Panthéon Nadar, 1854
Lithograph, 819 x 1,149 mm (sheet)
The Metropolitan Museum of Art, New York. A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 1993
Sketchbooks
Marmottan Sketchbook 1, c. 1865–1919
Sketchbook, cover: 263 x 352 mm; sheet: 255 x 340 mm
Musée Marmottan Monet, Paris
D105–39 (Marmottan inv. 5128)
Marmottan Sketchbook 3, c. 1887–1900
Sketchbook, cover: 120 x 186 mm; sheet: 110 x 180 mm
Musée Marmottan Monet, Paris
D160–222 (Marmottan inv. 5134)
Marmottan Sketchbook 4, c. 1881–85
Sketchbook, cover: 120 x 200 mm; sheet: 110 x 195 mm
Musée Marmottan Monet, Paris
D223–74 (Marmottan inv. 5131)
Marmottan Sketchbook 6, c. 1886–1925
Sketchbook, cover: 242 x 322 mm; sheet: 234 x 315 mm
Musée Marmottan Monet, Paris
D334–80 (Marmottan inv. 5129)
Ephemera
Marie-Jeanne Lecadre, c. 1865
Photograph
Collection of Prince Xavier Beguin Billecocq
Louise-Justine and Adolphe Monet, c. 1855
Photograph
Collection of Prince Xavier Beguin Billecocq
The following works are those exhibited at the Williamstown venue of the exhibition. For a complete listing of works that appeared in London, please consult the exhibition catalogue. All works are by Claude Monet unless otherwise indicated.
Drawings
The Old "Le Pollet" Quarter of Dieppe, 1856–57
Graphite and watercolor on scratchboard, 134 x 219 mm
Museum of Fine Arts, Boston. Gift of Elizabeth K. Davis
Alley of Trees, Gournay, 1857
Pencil, 307 x 228 mm
The World Children's Art Museum, Okazaki, Japan
Bather Wearing a Hat, 1857
Pencil on buff paper, 309 x 230 mm
Private collection
Cliff at Sainte-Adresse, 1857
Pencil and white chalk on gray paper, 228 x 307 mm
The World Children's Art Museum, Okazaki, Japan
Tree Trunks at La Mare au Clerc, 1857
Pencil, approx. 310 x 220 mm
Musée Eugène Boudin, Honfleur
Water Mill on the Lézarde at Épouville, 1857
Pencil on warm gray paper, 228 x 307 mm
The World Children's Art Museum, Okazaki, Japan
Dandy with a Cigar, c. 1857
Pencil heightened with gouache on gray paper, 240 x 160 mm
Musée Marmottan Monet, Paris
The Painter with a Pointed Hat, c. 1857
Watercolor and pencil with white gouache on beige paper, 312 x 242 mm
Private collection
Young Man with a Monocle, c. 1857
Pencil heightened with gouache on beige paper, 240 x 160 mm
Musée Marmottan Monet, Paris
Caricature of Adolphe-Victor Coësme, 1858
Charcoal heightened with white chalk on blue laid paper (discolored to gray), 620 x 390 mm
Private collection
After Nadar (Félix Tournachon)
Caricature of Adolphe Dennery, c. 1858
Graphite on buff paper, 320 x 240 mm
Musée Marmottan Monet, Paris
Caricature of Félix (Alexandre Ursule Cellérier), c. 1858
Pencil on tan paper, 310 x 237 mm
Musée Marmottan Monet, Paris
Caricature of Grandfather Lebas, c. 1858–59
Pencil, 241 x 146 mm
Private collection
Caricature of Henri Cassinelli ("Rufus Croutinelli"), c. 1858
Graphite on tan paper, laid down on commercially prepared tan card, 130 x 84 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Caricature of Jules Didier, "Butterfly Man," c. 1858
Charcoal heightened with white chalk on blue laid paper (discolored to gray), 616 x 436 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Caricature of Léon Manchon, c. 1858
Charcoal with stumping heightened with white chalk on blue laid paper (discolored to gray), 612 x 452 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Caricature of a Man with a Snuff Box, c. 1858
Charcoal heightened with white chalk on blue laid paper (discolored to olive-gray), 588 x 330 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
After Etienne Carjat
Caricature of Mario Uchard, c. 1858
Graphite on tan paper, 320 x 243 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Caricature of a Young Woman at the Piano, c. 1858
Graphite heightened with white chalk on tan paper, 320 x 240 mm
Musée Marmottan Monet, Paris
After Nadar (Félix Tournachon)
Caricature of Auguste Vacquerie, c. 1859
Graphite on tan paper, laid down on commercially prepared cream card, 283 x 175 mm
The Art Institute of Chicago. Mr. and Mrs. Carter H. Harrison Collection
Little Theatrical Pantheon, c. 1859
Pencil heightened with gouache, 340 x 470 mm
Musée Marmottan Monet, Paris
Study of Cows, c. 1863
Black crayon, 240 x 470 mm
Collection of Faruk A. Alatan
Boats on the Beach in Normandy [recto and verso], c. 1864
Black chalk on off-white laid paper, 135 x 305 mm
Private collection, courtesy of Elrick-Manley Fine Art Inc.
Cliffs and Sea, Sainte-Adresse, c. 1864
Black chalk on off-white laid paper, 206 x 314 mm
The Art Institute of Chicago. Clarence Buckingham Collection
Coast of Lower Normandy, c. 1864
Black chalk on off-white laid paper, 180 x 300 mm
Private collection
The Coast of Normandy Viewed from Sainte-Adresse, c. 1864
Black chalk on off-white laid paper, 175 x 308 mm
Fine Arts Museums of San Francisco. Memorial Gift from Dr. T. Edward and Tullah Hanley, Bradford, Pennsylvania
Houses by the Sea, c. 1864
Black chalk on off-white laid paper, 246 x 334 mm
The Museum of Modern Art, New York. Gift of Mr. and Mrs. Marion Joseph Lebworth
The Port at Touques, c. 1864
Black chalk on off-white laid paper, 210 x 330 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Mouth of the Seine at Honfleur, 1865
Pen and ink, 245 x 360 mm
Private collection, courtesy of Brame and Lorenceau, Paris
Figure of a Woman (Camille), c. 1865
Black chalk on off-white laid paper, 472 x 315 mm
The Morgan Library and Museum, New York. Thaw Collection from the Family of Richard S. Davis, courtesy of Stiebel, Ltd.
The Luncheon on the Grass, c. 1865
Black chalk on blue-gray laid paper, 305 x 468 mm
National Gallery of Art, Washington, D.C. Collection of Mr. and Mrs. Paul Mellon
The Two Anglers, 1883
Black crayon and scratchwork on Gillot paper, 256 x 344 mm
The Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts. Bequest of Meta and Paul J. Sachs, 1965
View of Rouen, 1883
Black crayon and scratchwork on Gillot paper, 313 x 475 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Portrait of a Woman, c. 1895
Red chalks, 285 x 210 mm
Private collection
Reflections of Willows, c. 1918
Black crayon on blue-gray paper, 300 x 470 mm
Musée Marmottan Monet, Paris
Water Lilies, c. 1918
Black crayon on blue-green paper, 315 x 475 mm
Musée Marmottan Monet, Paris
Water Lilies, c. 1918
Black crayon on blue-green paper, 315 x 475 mm
Musée Marmottan Monet, Paris
Pastels
Yport and the Falaise d'Aval, c. 1861
Pastel, 185 x 395 mm
Private collection
View of the Sea at Sunset, c. 1862–64
Pastel, 153 x 400 mm
Museum of Fine Arts, Boston. Bequest of William P. Blake in memory of his sister, Anne Dehon Blake
Study of Five Boys, c. 1864
Black chalk and pastel on buff paper, 140 x 250 mm
Museum Boijmans Van Beuningen, Rotterdam. Koenigs Collection
Broad Landscape, c. 1864–66
Pastel, 174 x 359 mm
Museum of Fine Arts, Boston. Bequest of William P. Blake in memory of his sister, Anne Dehon Blake
Landscape with Houses, c. 1864–66
Pastel on beige paper, 219 x 425 mm
The Metropolitan Museum of Art. Bequest of Susan Dwight Bliss, 1966
Study of Sailboats and Harbor, c. 1864–68
Pastel, 480 x 320 mm
Private collection
The Seine Estuary, c. 1864–70
Pastel on paper laid down on canvas, 251 x 375 mm
Private collection
Cat Sleeping on a Bed, c. 1865–70
Pastel, 110 x 210 mm
Private collection, courtesy of Jill Newhouse and Neffe de-Gandt Fine Art, London
Nightfall, c. 1865–70
Pastel on gray paper, 212 x 379 mm
Musée des Beaux-Arts de Nantes. Gift of the Société des amis du Musée des Beaux-Arts de Nantes, 1968
Sainte-Adresse, View across the Estuary, c. 1865–70
Pastel, 216 x 279 mm
Private collection
Three Cows in a Pasture, c. 1865–70
Pastel, 320 x 250 mm
Private collection
Twilight, c. 1865–70
Pastel on gray paper, 189 x 311 mm
Musée des Beaux-Arts de Nantes. Gift of the Société des amis du Musée des Beaux-Arts de Nantes, 1968
Fruit Trees, c. 1865–75
Pastel, 225 x 292 mm
Private collection, courtesy of Galerie Jan Krugier & Cie., Geneva
After the Rain, 1868
Pastel, 179 x 295 mm
Private collection
Bank of the Seine, c. 1869
Pastel on tan paper, 245 x 425 mm
Private collection
Étretat, the Cap d'Antifer, c. 1885
Pastel, 270 x 346 mm
Private collection
Étretat, the Needle Rock and Porte d'Aval, c. 1885
Pastel on tan paper, 400 x 235 mm
Private collection
The Road and the House, c. 1885
Pastel, 210 x 292 mm
Jay and Ruth Pack Family Collection
Charing Cross Bridge, c. 1901
Pastel, 310 x 485 mm
Triton Foundation, The Netherlands
Charing Cross Bridge, London, c. 1901
Pastel, 300 x 470 mm
Collection of Alan and Edith Seligson
Waterloo Bridge, c. 1901
Pastel, 305 x 480 mm
Triton Foundation, The Netherlands
Waterloo Bridge, Fog, c. 1901
Pastel, 270 x 420 mm
Private collection
Waterloo Bridge, Boats on the Thames, 1902
Pastel on blue-gray paper, 310 x 480 mm
Private collection
Paintings
Farmyard in Normandy, 1863
Oil on canvas, 65 x 81.5 cm
Musée d'Orsay, Paris. Bequest of M. and Mme Raymond Koechlin, 1931
Towing a Boat, Honfleur, 1864
Oil on canvas, 55.2 x 82.1 cm
Memorial Art Gallery of the University of Rochester. Gift of Marie C. and Joseph C. Wilson
Rue de la Bavole, Honfleur, c. 1864
Oil on canvas, 55.9 x 61 cm
Museum of Fine Arts, Boston. Bequest of John T. Spaulding
Bazille and Camille (Study for "The Luncheon on the Grass"), c. 1865
Oil on canvas, 93.5 x 69.5 cm
National Gallery of Art, Washington, D.C. Ailsa Mellon Bruce Collection
Seascape: Storm, c. 1866–67
Oil on canvas, 48.7 x 64.7 cm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
View of Rouen, 1872
Oil on canvas, 54 x 73 cm
Private collection, courtesy of Pyms Gallery, London
The Two Anglers, 1882
Oil on canvas, 38 x 52.5 cm
Private collection
The Cliffs at Étretat, 1885
Oil on canvas, 64.9 x 81.1 cm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
The Côte Sauvage, the Cliffs of Belle-Île, 1886
Oil on canvas, 65 x 81.5 cm
Musée d'Orsay, Paris. Bequest of Gustave Caillebotte, 1894
Rouen Cathedral, Façade, 1894
Oil on canvas, 106.3 x 73.7 cm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Acquired in memory of Anne Strang Baxter
Charing Cross Bridge, c. 1900
Oil on canvas, 66 x 92.7 cm
Indianapolis Museum of Art. Gift of Several Friends of the Museum
Waterloo Bridge, Morning Fog, 1901
Oil on canvas, 65.7 x 100.2 cm
Philadelphia Museum of Art. Bequest of Anne Thomson in memory of her father, Frank Thomson, and her mother, Mary Elizabeth Clarke Thomson
Water Lilies, 1916–19
Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Water Lilies, c. 1918
Oil on canvas, 130.2 x 200.7 cm
The Metropolitan Museum of Art, New York. Gift of Louise Reinhardt Smith, 1983
Prints
Caricature of Louis Fortuné Adolphe Laferrière, 1860
Gillotage, 385 x 280 mm
Musée Carnavalet-Histoire de Paris
Johan Barthold Jongkind
Dutch, 1819–1891
The Two Sailboats, 1862
Etching, 178 x 216 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Johan Barthold Jongkind
Dutch, 1819–1891
Houses Beside the Canal, 1862
Etching, 178 x 216 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
A. Belloguet, after Claude Monet
Mouth of the Seine at Honfleur, 1865
Gillotage, 165 x 280 mm. From L'Autographe au Salon de 1865 9 (24 June 1865), p. 76
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
After Claude Monet
The Cabin at Sainte-Adresse, 1880
Gillotage, 145 x 191 mm. From La vie moderne 2 (19 June 1880), p. 400
W.E.B. Du Bois Library, University of Massachusetts Amherst
After Claude Monet
View of Rouen, 1883
Gillotage, 135 x 205 mm. From Gazette des beaux-arts 27, no. 4 (1 Apr. 1883), p. 345
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
After Claude Monet
The Two Anglers, 1883
Gillotage, 167 x 234 mm
The Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts. Drawing Department Fund for Special Acquisitions
After Claude Monet
The Côte Sauvage, 1891
Gillotage, 249 x 309 mm. From L'Art dans les deux mondes 1 (7 Mar. 1891), p. 181
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
After Claude Monet
The Côte Sauvage, 1893
Gillotage, 154 x 204 mm. From The Studio 1 (1893), p. 242
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
William Thornley, after Claude Monet
The Beach and the Falaise d'Amont, Étretat, c. 1894
Transfer lithograph printed in reddish-orange on off-white chine appliqué, 210 x 194 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
Blanche Hoschedé Painting, c. 1894
Transfer lithograph printed in gray-black, green, and red on off-white chine appliqué, 160 x 200 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
The Cliff and the Porte d'Aval, Étretat, c. 1894
Transfer lithograph printed in greenish-gray on off-white chine appliqué, 187 x 260 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
The Côte Sauvage, c. 1894
Transfer lithograph printed on olive-toned chine appliqué, 210 x 277 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
The Côte Sauvage, c. 1894
Transfer lithograph printed in black on blue-toned chine appliqué, 210 x 277 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
The Creuse, Dark Weather, c. 1894
Transfer lithograph printed in greenish-gray on rose-toned chine appliqué, 204 x 257 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
Fishing Boats at Étretat, c. 1895
Transfer lithograph printed in reddish-brown on grayish-blue chine appliqué, 184 x 252 mm
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
William Thornley, after Claude Monet
Gorge of the Petite Creuse, c. 1894
Transfer lithograph printed on blue-toned chine appliqué, 208 x 292 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
Grainstacks, Last Sunrays, c. 1894
Transfer lithograph printed in orange on off-white chine appliqué, 217 x 262 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
William Thornley, after Claude Monet
Portrait of Poly, c. 1894
Transfer lithograph with scraping printed in dark gray on off-white chine appliqué, 223 x 164 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
Rocky Coast and the Lion Rock, Belle-Île, c. 1894
Transfer lithograph printed in warm gray on off-white chine appliqué, 195 x 240 mm
Collection of Dr. Morton and Tobia Mower
William Thornley, after Claude Monet
View from the Cap d'Antibes, c. 1894
Transfer lithograph printed in bluish-gray on rose-toned chine appliqué, 145 x 178 mm
Bibliothèque de l'Institut National d'Histoire de l'Art, Paris. Collections Jacques Doucet
Nadar (Félix Tournachon)
Panthéon Nadar, 1854
Lithograph, 819 x 1,149 mm (sheet)
The Metropolitan Museum of Art, New York. A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 1993
Sketchbooks
Marmottan Sketchbook 1, c. 1865–1919
Sketchbook, cover: 263 x 352 mm; sheet: 255 x 340 mm
Musée Marmottan Monet, Paris
D105–39 (Marmottan inv. 5128)
Marmottan Sketchbook 3, c. 1887–1900
Sketchbook, cover: 120 x 186 mm; sheet: 110 x 180 mm
Musée Marmottan Monet, Paris
D160–222 (Marmottan inv. 5134)
Marmottan Sketchbook 4, c. 1881–85
Sketchbook, cover: 120 x 200 mm; sheet: 110 x 195 mm
Musée Marmottan Monet, Paris
D223–74 (Marmottan inv. 5131)
Marmottan Sketchbook 6, c. 1886–1925
Sketchbook, cover: 242 x 322 mm; sheet: 234 x 315 mm
Musée Marmottan Monet, Paris
D334–80 (Marmottan inv. 5129)
Ephemera
Marie-Jeanne Lecadre, c. 1865
Photograph
Collection of Prince Xavier Beguin Billecocq
Louise-Justine and Adolphe Monet, c. 1855
Photograph
Collection of Prince Xavier Beguin Billecocq
