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EVENTS | VISITOR INFO | CHECKLIST | |
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DAVID & NAPOLEON | GRAND FORMATS | CONSULATE & EMPIRE | ANTIQUITY REVISITED | DRAWINGS | PORTRAITS IN EXILE | |
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Checklist of the Exhibition The following works are those exhibited at the Williamstown venue of the exhibition. For a complete listing of works that appeared in Los Angeles, please consult the exhibition catalogue. Self-Portrait 1794 Oil on canvas 31 7/8 x 25 5/8 in. Musée du Louvre, Paris. Département des Peintures. Gift of Eugène Isabey, 1852 Compositional Study for "Leonidas at Thermopylae" c. 1798–1800 Pencil on paper 12 5/8 x 16 1/2 in. Musée Fabre, Montpellier Study for a Costume c. 1798–1805 Black crayon, pen and ink, gray wash, and red, blue, and bister watercolor on paper, heightened with gold. The figure is cut out and pasted on a sheet with a landscape setting, executed in charcoal and stumping with red and bister watercolor. 13 1/4 x 9 5/8 in. Musée national du Château de Versailles Bonaparte Crossing the Alps at Grand-Saint-Bernard 1800–1801 Oil on canvas 8 ft. 6 3/8 in. x 7 ft. 3 in. Musée national des Châteaux de Malmaison et Bois-Préau, Reuil-Mailmaison Portrait of Cooper Penrose 1802 Oil on canvas 51 3/8 x 38 3/8 in. The Putnam Foundation, Timken Museum of Art, San Diego Portrait of Suzanne Le Peletier de Saint-Fargeau 1804 Oil on canvas 23 7/8 x 19 1/2 in. The J. Paul Getty Museum, Los Angeles Study for "The Coronation of Napoleon": The Bust of Madame de La Rochefoucauld and the Hand of Eugène de Beauharnais c. 1805–1807 Oil on canvas 21 1/4 x 17 3/8 in. Musée Fabre, Montpellier Portrait of Angélique Mongez 1806 Black crayon on paper 6 1/8 x 4 in. The Art Institute of Chicago. The Helen Regenstein Collection Napoleon Bonaparte c. 1806–8 Oil on panel, with strips of wood added on all four sides Main panel: 15 7/8 x 12 3/8 in.; overall: 17 1/8 x 14 1/4 in. Collection Fréderic Masson, Fondation Dosne-Thiers, Institut de France, Paris Study for "The Distribution of the Eagles": Dragoon Raising an Eagle c. 1808–10 Black crayon on paper 9 x 6 7/8 in. Musée national du Château de Versailles Study for "The Distribution of the Eagles": Napoleon in Imperial Robes c. 1808–10 Black crayon on paper 9 7/8 x 7 3/4 in. Musée national du Château de Versailles Study for "The Distribution of the Eagles": Sapper-Granadier of the Guard c. 1808–10 Black crayon on paper 9 7/8 x 7 3/4 in. Musée national du Château de Versailles Portraits of Alexandre Lenoir and Adélaïde Binard 1809 Black crayon (Alexande Lenoir) and pencil (Adélaïde Binard) on paper Two separate sheets of paper, laid down side by side: 6 1/8 x 8 1/2 in. overall. On the far left, a strip 1/4 in. wide has been added and drawn over Musée du Louvre, Paris. Département des Arts graphiques Sappho, Phaon, and Cupid 1809 Oil on canvas 7 ft. 4 5/8 in. x 8 ft. 7 1/4 in. The State Hermitage Museum, St. Petersburg Study for "The Distribution of the Eagles": The Empress Josephine c. 1809 Black crayon on paper 9 5/8 x 7 3/4 in. The Art Institute of Chicago. The Helen Regenstein Collection Portrait of Alexandrine Thérèse Nardot, Comtesse Daru 1810 Oil on canvas 32 1/4 x 25 5/8 in. The Frick Collection, New York Portrait of Jean-Baptiste Jeanin 1810 Oil on canvas 28 3/4 x 23 1/4 in. Private collection Portrait of Claude-Marie Meunier c. 1810–13 Oil on canvas 28 3/4 x 23 1/2 in. Private collection Portrait of Antoine Français, called Antoine Français de Nantes 1811 Oil on panel A strip of wood has been added on the right and at the bottom: 46 x 28 3/4 in. overall Musée Jacquemart-André, Institut de France, Paris The Emperor Napoleon in His Study at the Tuileries 1811–12 Oil on canvas 80 1/4 x 49 1/4 in. National Gallery of Art, Washington. Samuel H. Kress Collection Compositional Study for "Leonidas at Thermopylae" c. 1811–13 Black crayon on paper 15 7/8 x 21 5/8 in. The Metropolitan Museum of Art, New York. Rogers Fund, 1963 The Departure of Hector 1812 Black crayon, pen, black ink and wash, and white gouache on beige paper 8 3/4 x 11 1/2 in. Musée du Louvre, Paris. Département des Arts graphiques Portrait of Laure-Émilie-Félicité David, Baronne Meunier c. 1812 Oil on canvas 28 3/4 x 23 5/8 in. Fine Arts Museums of San Francisco. Roscoe and Margaret Oakes Collection Portrait of Marguerite-Charlotte David, née Pécoul 1813 Oil on canvas 28 3/4 x 23 3/8 in. National Gallery of Art, Washington. Samuel H. Kress Collection Alexandre, Apelles, and Campaspe c. 1813–23 Oil on panel 11 x 15 3/8 in. Musée des Beaux-Arts, Lille Portrait of Comte Henri-Amédé de Turenne 1816 Oil on canvas 27 1/2 x 20 7/8 in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts Portrait of Comte Henri-Amédé de Turenne 1816 Oil on panel 44 x 31 7/8 in. Ny Carlsberg Glyptotek, Copenhagen Portrait of the Comtesse Vilain XIIII and Her Daughter 1816 Oil on canvas 37 1/2 x 30 in. National Gallery, London Portrait of François-Antoine Rasse de Gavre 1816 Oil on canvas 28 3/4 x 24 in. Private collection, courtesy of Richard L. Feigen & Co. Portrait of General Maurice-Étienne Gérard 1816 Oil on canvas 77 5/8 x 53 5/8 in. The Metropolitan Museum of Art, New York. Purchase, Rogers and Fletcher Funds, and Mary Whetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1965 Composition with Three Figures c. 1816–20 Black crayon on paper 5 3/8 x 7 5/8 in. Private collection Composition with Three Figures c. 1816–20 Black crayon on paper 5 1/4 x 7 1/2 in. W. M. Brady & Co., New York The Figure of a Man ("The Prisoner") c. 1816—22 Black crayon on paper; a drawn line in black ink frames the image 5 1/4 x 7 3/4 in. The Cleveland Museum of Art. Purchase from the J. H. Wade Fund Cupid and Psyche 1817 Oil on canvas 72 1/2 x 95 1/8 in. The Cleveland Museum of Art. Leonard C. Hanna, Jr., Fund Variation on "Leonidas at Thermopylae" 1817 Black crayon on paper 5 x 7 5/8 in. James Mackinnon, London The Farewell of Telemachus and Eucharis 1818 Oil on canvas 34 1/2 x 40 1/2 in. The J. Paul Getty Museum, Los Angeles The Anger of Achilles 1819 Oil on canvas 41 3/8 x 57 in. Kimbell Art Museum, Fort Worth, Texas Composition with Three Figures 1819 Black crayon on paper 6 5/8 x 7 7/8 in. Private collection A Scene of Mourning (Composition with Five Figures) 1819 Graphite and black chalk on laid paper 5 1/8 x 7 7/8 in. Fine Arts Museums of San Francisco, Achenbach Foundation for the Graphic Arts Endowment Fund Portrait of Ange-Pauline-Charlotte Ramel de Nogaret, née Panckoucke 1820 Oil on canvas 23 3/8 x 18 3/4 in. James Fairfax Collection Portrait of Dominique-Vincent Ramel de Nogaret 1820 Oil on canvas 23 3/4 x 18 3/4 in. James Fairfax Collection Composition with Four Figures 1821 Black crayon on paper 5 1/4 x 7 5/8 in. James Mackinnon, London Composition with Three Figures 1821 Black crayon on paper 5 1/4 x 7 5/8 in. The Horvitz Collection, Boston Composition with Three Figures 1821 Black crayon on paper 5 3/8 x 7 3/4 in. Collection of Dr. Esmond Martin Mars and Rhea Sylvia 1821 Pen and black ink, gray and light brown wash, with scratching out on paper (recto); and black crayon on paper (verso) 7 1/2 x 5 1/4 in. Private collection, New York, courtesy of W. M. Brady & Co., New York Portrait of Pauline-Jeanne Jeanin, née David, and Her Daughter Émilie 1821 Black crayon on paper 5 5/8 x 7 7/8 in. The Snite Museum of Art, University of Notre Dame, Indiana. Gift of Mr. John D. Reilly, Class of 1963 Portrait of Zénaïde and Charlotte Bonaparte 1821 Oil on canvas 51 x 39 3/8 in. The J. Paul Getty Museum, Los Angeles The Rape of Lucretia 1825 Black crayon and white gouache on paper 6 5/8 x 7 7/8 in. Private collection, courtesy of Hazlitt, Gooden & Fox, Ltd., London François Rude Portrait of Jacques-Louis David 1826—31 Marble 22 5/8 x 10 1/4 x 8 1/4 in. overall; height of bust 15 3/8 in. Musée du Louvre, Paris. Département des Sculptures 
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