CHECKLIST

Claude Lorrain (French, 1604–1682)
A Study for a Seaport (recto); A Study for a Seaport (verso), c. 1640–41
Pen and brown ink on cream laid paper, 7 3/16 x 10 3/16 in. (18.2 x 25.9 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 2007.5.9


Giorgio Morandi (Italian, 1890–1964)
Still Life with Bottle (recto); Still Life (verso), 1949
Graphite on cream laid paper, 9 5/16 x 13 5/16 in. (23.6 x 33.8 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Gift of Mrs. Hereward Lester Cooke, 1988.128
© 2012 Artists Rights Society (ARS), New York / SIAE, Rome


Albrecht Dürer (German, 1471–1528)
Saint Michael Fighting the Dragon, from The Apocalypse (recto), c. 1497; Page of text from The Apocalypse (verso), German edition of 1498
Woodcut on cream wove paper, border: 15 3/4 x 11 5/16 in. (40 x 28.7 cm); image: 15 5/16 x 10 15/16 in. (38.9 x 27.8 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1968.200


After Winslow Homer (American, 1836–1910)
The Dinner Horn (recto); Page from Harper's Weekly (verso), June 11, 1870
Wood engraving on beige wove paper, image: 8 13/16 x 13 11/16 in. (22.4 x 34.7 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.4486


Vincent van Gogh (Dutch, 1853–1890)
Man Smoking a Pipe: Portrait of Dr. Gachet, 1890
Etching on laid paper, plate: 7 1/8 x 5 7/8 in. (18.1 x 15 cm); sheet: 11 5/8 x 9 5/8 in. (29.5 x 24.5 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1962.78


Emil Nolde (German, 1867–1956)
Head of a Woman III, 1912
Woodcut on cream wove paper, 11 3/8 x 9 in. (28.9 x 22.9 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 2011.11.1


Maker's Mark IV with a star below (probably Dutch, active in London, 17th century)
Basin, 1618
Silver, 2 1/2 x 20 x 20 in. (6.4 x 50.8 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Acquired in honor of Charles Buckley, 1989.2


Auguste Rodin (French, 1840–1917)
Man with a Broken Nose, modeled 1863–64
Bronze, overall: 9 1/2 in. (24.1 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.971


Peter Paul Rubens (Flemish, 1577–1640)
Portrait of Thomas Howard, Earl of Arundel, c. 1629–30
Brush, brown and black ink, oil, brown and gray wash heightened with white, on wove paper, 18 1/4 x 14 in. (46.4 x 35.6 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.991


Hans Memling (South Netherlandish, 1430/40–1494)
The Canon Gilles Joye, 1472 Tempera with oil on panel, 14 13/16 x 11 7/16 in. (37.6 x 29.1 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.943


Thomas Rowlandson (English, 1756–1827)
Mutton Chops in Maiden Lane (recto), c. 1798–1810; Studies of Classical and Egyptian Figures (verso), c. 1817–21
Pen with vermillion and gray inks and watercolor on cream wove paper (recto); Pen with brown and gray inks, graphite, and watercolor on cream wove paper (verso), sheet: 10 15/16 x 8 9/16 in. (27.8 x 21.7 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Gift of the Manton Foundation in memory of Sir Edwin and Lady Manton, 2007.20.32


John Constable (English, 1776–1837)
Willy Lott's House (recto), c. 1812–13; Landscape Sketches with Trees and Church Tower (verso), c. 1811–13
Oil on canvas, 13 3/4 x 17 1/8 in. (34.9 x 43.5 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton, 2007.8.24


Attributed to Jan Gossaert (Flemish, c. 1472–1532)
Portrait of a Gentleman, c. 1530; Landscape Sketches with Trees and Church Tower (verso), c. 1811–13
Oil on panel transferred to canvas, 25 x 20 1/8 in. (63.5 x 51.1 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Gift of the Executors of Governor Lehman's Estate and the Edith and Herbert Lehman Foundation, 1968.298


Unknown artist (Flemish, 16th century)
Lucretia, 1534
Oil on panel transferred to canvas, 24 11/16 x 20 1/8 in. (62.7 x 51.1 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Gift of the Executors of Governor Lehman's Estate and the Edith and Herbert Lehman Foundation, 1968.306


Daniel Smith and Robert Sharp (English, working in partnership, c. 1763–88)
Milk Jug, 1765–66
Silver, 5 x 5 3/8 x 2 13/16 in. (12.7 x 13.7 x 7.1 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.335


Francis Crump (English, active 1741–1767)
Teapot, 1772–73
Silver and wood, overall: 4 3/8 in. (11.1 cm); spout to handle: 7 5/16 in. (18.6 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1963.165


Sèvres Porcelain Manufactory (French, active 1756–present)
Cup and Saucer (from the Catherine II Service of 1777–79), 1778
Soft-paste porcelain, cup: 2 3/16 x 2 1/4 in. (5.6 x 5.7 cm); saucer: 4 3/4 x 1 1/4 in. (12.1 x 3.2 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1079


Sèvres Porcelain Manufactory (French, active 1756–present)
Plate, 1784
Soft-paste porcelain, 9 3/8 x 1 in. (23.8 x 2.5 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1325


Imperial Porcelain Factory, and the State Porcelain Factory, St. Petersburg (Russian, active 1744–present)
Cup and saucer, fired 1915, decorated 1918
Hard-paste porcelain, cup: 2 x 2 in. (5.1 x 5.1 cm); saucer: 4 9/16 x 3/4 in. (11.6 x 1.9 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1265


Jean-Baptiste Carpeaux (French, 1827–1875)
The Three Graces, 1872
Bronze, 32 x 19 5/8 x 17 in. (81.3 x 49.8 x 43.2 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.976


Henri de Toulouse-Lautrec (French, 1864–1901)
Cover from the "Elles" Portfolio, 1896
Lithograph on cream laid paper, image: 22 7/16 x 22 1/4 in. (57 x 56.5 cm); sheet: 26 3/4 x 42 11/16 in. (68 x 108.5 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1962.106


Alfred Stieglitz (American, 1864–1946)
The Terminal, 1893, printed c. 1910
Photogravure in original frame, 10 x 13 1/8 in. (25.4 x 33.3 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Gift of Penelope Tyson Adams in memory of my husband, John Barclay Adams, 2010.13
© 2012 Georgia O'Keeffe Museum / Artists Rights Society (ARS), New York


Anton Mauve (Dutch, 1838–1888)
A Shepherd and His Flock, Mid-19th century
Watercolor over graphite on cream wove paper, 7 7/16 x 11 3/4 in. (18.9 x 29.8 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1698


Peter Henry Emerson (English, 1856–1936)
Marshman Going to Cut Schoof-Stuff, 1886
Platinum print, 7 15/16 x 11 5/16 in. (20.2 x 28.7 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1998.39.2


Edgar Degas (French, 1834–1917)
After the Bath—Small Plate, c. 1891–92
Lithograph on wove paper, image: 9 5/8 x 8 7/8 in. (24.5 x 22.6 cm); sheet: 14 5/8 x 11 in. (37.2 x 28 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1962.35


Édouard Vuillard (French, 1868–1940)
Landscapes and Interiors: The Two Sisters-in-Law, 1899
Lithograph on white China paper, image: 13 3/4 x 11 in. (35 x 28 cm), sheet: 15 3/16 x 12 13/16 in. (38.5 x 32.5 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1962.138



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